Piano Sonata (Sonatina) No. 25 in G Major Op. 79 Alla Tedesca 貝多芬 鋼琴小奏鳴曲 亨乐版

路德維希-凡-貝多芬（Ludwig van Beethoven）於 1809/1810 年創作了這首 G 大調奏鳴曲作品 79。貝多芬於 1809/1810 年創作了作品 79《G 大調奏鳴曲》，這幾乎是他創作大型鋼琴作品（降 E 大調鋼琴協奏曲、合唱幻想曲和 "Les Adieux "奏鳴曲）之後的又一作品。貝多芬的精神也體現在這首作品中，儘管它可能沒有獲得同等程度的靈感和藝術努力。Presto alla tedesca "之所以著名，是因為它的三度主題就像布穀鳥的叫聲，貫穿了所有的調式。中間樂章以俄羅斯憂鬱旋律的形式彌漫著樸實無華的美感，而終曲則以其幽默詼諧的特點令人愉悅。這首作品的技術難度不大，是一首對音樂要求較高的練習曲和獨奏曲。康拉德-漢森備受推崇的指法將對這一過程大有幫助"

作曲家: Ludwig van Beethoven
校訂者: Bertha Antonia Wallner
樂器: Piano
出版社: Henle Urtext Edition
原文簡介:
Ludwig van Beethoven composed the Sonatina in G major op. 79 in 1809/1810, virtually as an afterthought to his work on larger piano compositions: the E flat major Piano Concerto, the Choral Fantasy, and the “Les Adieux” Sonata. Beethoven's spirit is present in this composition too, even if it was not, perhaps, afforded an equally intensive degree of inspiration and artistic effort. The “Presto alla tedesca” became famous because the motif of a third, like the call of a cuckoo, is taken through all the keys. The middle movement is pervaded by unpretentious beauty in the form of a melancholic Russian melody, while the finale delights with its humoresque character. The work's modest level of technical difficulty makes it a musically demanding practice and recital piece. Conrad Hansen's highly regarded fingerings will be very helpful in this process.