Piano Pieces Band 1 Early Works - Edited from the sources 莫札特 鋼琴小品 鋼琴獨奏 維也納原典版
偉大的藝術來自一個如此渺小的人！早在四歲時，莫札特在鍵盤上的敏捷思維就令他的父親驚歎不已。最初的作品是五歲孩子以非凡的速度創作的輕鬆舞曲。在他的一生中，除了奏鳴曲和變奏曲之外，他還創作了多首鋼琴曲。他年輕時的作品大多寫在為瑪麗亞-安娜-莫札特寫的樂譜和所謂的倫敦素描本上，其中大部分是短小的舞曲，但也有長篇的獨立樂章。從 1770 年代中期開始，主要是一些較大型的獨立作品，包括幻想曲和迴旋曲，它們可以與維也納時期的奏鳴曲和變奏曲相媲美。第 1 卷收錄了莫札特青年時期的作品，這些作品完全適用於初級教學；它們構成了一個豐富多彩的曲目，可以替代年輕莫札特經常演奏的幾首鋼琴曲，當然，本卷也收錄了這些作品
作曲家: Mozart, Wolfgang Amadeus
編者: Leisinger, Ulrich
校訂者: Zgubic, Maria
樂器: piano
出版社: Wiener Urtext Edition
曲目:
9 Klavierstücke (Ballettmusik aus Ascanio in Alba) bei KV 111 - 2 Ausführungsvorschläge zu KV 15g von Robert D. Levin - Klavierstück Es-Dur KV 32/14 - Pimpinella KV 33B - Menuett D-Dur KV 94 - Klavierstück F-Dur KV Anh. 206a - Klavierstück bei KV 42 (ergänzt von Robert D. Levin) C-Dur - Klavierstück (Veroneser Allegro) (ergänzt von Robert D. Levin) G-Dur KV 72a - Andantino Es-Dur KV 236 - 42 Stücke aus dem Londoner Skizzenbuch (KV 15rr ergänzt von Robert D. Levin) KV 15 - 8 Menuette KV 315g - 18 Stücke aus Nannerls Notenbuch (KV 9b ergänzt von Robert D. Levin) - 11 Menuette KV 176| 4 Kontretänze (Nr. 3 ergänzt von Robert D. Levin) KV 269b - 3 Stücke aus Le gelosie del serraglio (Nr. 3 ergänzt von Robert D. Levin) KV 135a - Menuett C-Dur KV 61g/II - 2 Klavierstücke (Nr. 2 ergänzt von Robert D. Levin) KV deest. - 12 Menuette KV 103
Great Art from One so Small!As early as the age of four, Mozart amazed his father with his quickness of mind at the keyboard. The first works are easy dance movements by the five-year-old who developed with extraordinary speed. During his lifetime, he wrote several piano pieces, apart from the sonatas and variations. The pieces from his youth, most of them written down in the music book for Maria Anna Mozart and in the so-called London sketch book, are mostly short dance movements, but already there are lengthy individual movements as well. From the mid-1770s, there are mainly are larger individual works, including fantasias and rondos which can stand up as equals to the sonatas and variations of the Viennese period. Volume 1 contains the pieces from his youth which are entirely suitable for elementary teaching; they constitute a varied repertoire of alternatives to the few frequently played piano pieces by young Mozart which, of course, are contained in this volume as well.Volume 1 contains the pieces from Mozart's youth which are ideally suited for elementary teaching; they constitute a varied repertoire of alternatives to the few frequently played piano pieces by young Mozart which, of course, are contained in this volume as well.