Etudes Op. 18 Piano Solo 巴爾托克 鋼琴 練習曲 亨乐版

通過這三首研究曲，巴托克有意在 1918 年的新音樂中留下自己的印記。第一首研究曲是一種超強、激烈的快板，而第二首則有如流動的瀑布，似乎是受德彪西啟發而創作的挽歌。相比之下，第三樂章則明顯受到了勳伯格的影響。後者在維也納舉辦的 "私人音樂演奏會 "也是上世紀二十年代巴托克這首對演奏者和聽眾都要求極高的樂曲被多次演奏的少數場合之一。該書於 1918 年由 Universal Edition 出版，初版很快售罄，第二版已於 1921 年發行。拉斯洛-索姆法伊的Urtext版以《巴托克全集》的音樂文本為基礎，除了關於作品起源的精彩序言外，還對演奏提出了有趣而實用的建議"

作曲家: Bela Bartok
校訂者: László Somfai
樂器: Piano
出版社: Henle Urtext Edition
原文簡介:
With these three studies Bartók quite deliberately aimed to leave his mark on New Music in 1918. The first study is a kind of super-charged, motorically vehement Allegro barbaro, while the second, with its effervescent waterfalls of sound, seems redolent of an elegy inspired by Debussy. In the third, by contrast, Schönberg's influence is recognizable. The latter's “Private Musical Performances” in Vienna were also among the few occasions in the 1920s where Bartók's supremely demanding cycle - for performers and for listeners - was played multiple times. Published by Universal Edition in 1918, the initial printing of the first edition was sold out so quickly that a second was already issued in 1921. László Somfai's Urtext edition is based on the musical text of the Bartók Complete Edition and, in addition to an exciting preface on the origins of the piece, features interesting, practical suggestions for performance as well.

Joint publishing venture with Editio Musica Budapest