Concerto in E minor Op. 11 for Piano and Orchestra - Historical Version Chopin National Edition 18A, Vol. XVb 蕭邦 鋼琴協奏曲 管弦樂團總譜 波蘭版
歷史版本的樂譜是蕭邦出於各種原因同意出版的，但由於外國編輯的參與而受到污染。演奏全譜 00132233 或其 2 鋼琴縮寫本 00132236 是實用版本，在演奏方面被認為更具權威性。
作曲家: Frédéric Chopin
校訂者: Jan Ekier
樂器: Orchestra
出版社: PWM Edition
原文簡介:
The historical version of the score is what Chopin agreed to have published, for various reasons, but it is contaminated by involvement of foreign editorial input. The performance full score 00132233 or its 2 piano reduction 00132236 are practical editions that are considered more authoritative for performance.
The National Edition of the Works of Fryderyk Chopin
Published by PWM
Exclusively Distributed by Hal Leonard Corporation
Co-Editors
Jan Ekier and Pawel Kaminski
The objective of the National Edition is to present Chopin's complete output in its authentic form, based on the entire body of available sources. Sources were analyzed with up-to-date scientific and musicological methodology.
The National Edition was based on sources originated from the composer, mainly autographs, copies of autographs and first editions with the composer's corrections, and pupils' copies with Chopin's annotations. In cases when original sources were lacking, the closest possible materials were used. Collecting the source materials was a laborious task which took years of effort.
The characteristics of sources, the links and discrepancies between them as well as the reasons for particular editorial decisions are discussed in the Source Commentary in each volume.
The Performance Commentary appended to each volume includes: the realization of ornaments, comments on pedal markings (the original markings sometimes are inadequate, due to the difference in sound between pianos used in Chopin`s times and modern pianos), suggestions as to the “harmonic legato” (a performance technique often used by Chopin and now forgotten).
About the National Edition
Full Introduction to the Polish National Edition of the Works of Fryderyk Chopin
decisions are discussed in the Source Commentary in each volume.
The Performance Commentary appended to each volume includes: the realization of ornaments, comments on pedal markings (the original markings sometimes are inadequate, due to the difference in sound between pianos used in Chopin`s times and modern pianos), suggestions as to the “harmonic legato” (a perf