Annees De Pelerinage Deuxième Année: Italy Piano Solo 李斯特 巡禮年第二年 鋼琴

李斯特《童年》前兩卷的創作和出版密切相關。從瑞士回來不到一年，李斯特和他的同伴瑪麗-達古爾特（Marie dAgoult）於 1837 年 8 月踏上了為期兩年多的義大利之旅。在 "瑞士 "卷中，作曲家首先在音樂中描繪了瑞士的自然、風景和歷史，而 "義大利 "部分則專門描繪了文學（彼特拉克、但丁）和視覺藝術（拉斐爾、米開朗基羅）中的印象。這些作品共七首，其中最精彩的是結尾處的 "但丁 "奏鳴曲，創作於 1838 年至 1849 年之間，但在 1858 年出版之前，部分作品經過了多次修改。三年後出版的 "Venezia e Napoli "卷作為增補本單獨發行，編號為 HN 985。在本修訂版中，還首次評估了經李斯特修改的第 2 號手稿副本（雕刻師副本）。新指法由瑞士鋼琴家弗朗切斯科-皮埃蒙特斯（Francesco Piemontesi）設計"

作曲家: Liszt Franz
校訂者: Francesco Piemontesi
樂器: Piano
出版社: G. Henle Verlag
原文簡介:
The composition and publication of the first two volumes of Liszt's “Années de pèlerinage” are closely interlinked. Barely a year after returning from Switzerland, Liszt and his companion Marie dAgoult set off in August 1837 on a trip to Italy which was to last over two years. In the “Switzerland” volume the composer portrayed first and foremost the nature, landscape and history of the country in his music, whereas the “Italy” part is devoted to impressions from literature (Petrarch, Dante) and the visual arts (Raffael, Michelangelo). The total of seven pieces, the high point of which is the “Dante” Sonata at the end, were composed between 1838 and 1849, but parts were reworked several times before their publication in 1858. The “Venezia e Napoli” volume, published three years later as a supplement, is available separately as HN 985. In this revised edition, a manuscript copy of no. 2 with corrections by Liszt (the engraver's copy) has also been evaluated for the first time. The new fingering is by Swiss pianist Francesco Piemontesi.