3 Sonatas for Violin and Piano (Harpsichord) BWV 1020, 1021, 1023 巴赫‧約翰瑟巴斯提安 大鍵琴 奏鳴曲 小提琴(含鋼琴伴奏) 亨乐版

這三首分別流傳的奏鳴曲隱藏著歸屬問題。BMV 1020（G 小調奏鳴曲）很可能出自巴赫的兒子卡爾-菲力浦-伊曼紐爾（Carl Philipp Emanuel）之手，如今多用長笛演奏，儘管資料中將其歸於小提琴。不過有趣的是，d1 是樂曲中旋律最低的音符，這可能意味著這是一首小提琴奏鳴曲的長笛改編曲。另外兩首奏鳴曲的來源也不確定。另一方面，這兩首奏鳴曲優雅的慢板樂章旋律精湛，在約翰-塞巴斯蒂安-巴赫（Johann Sebastian Bach）的音樂中經常可以找到。只要沒有確鑿證據證明這首曲子出自另一位作曲家之手，我們將繼續尊重將其歸屬于 "父親 "巴赫的傳統"

作曲家: Johann Sebastian Bach
校訂者: Hans Eppstein
樂器: Violin; Piano Accompaniment
出版社: Henle Urtext Edition

曲目:
Bach: Appendix: Sonata (with Piano obbligato) g minor BWV 1020
Bach: Sonata e minor BWV 1023
Bach: Sonata G major BWV 1021

原文簡介:
These three separately transmitted sonatas hid attribution problems. BMV 1020 (the Sonata in G minor) is quite possibly by Bach's son Carl Philipp Emanuel, and today is mostly played on the flute even though the sources assign it to the violin. It is interesting, however, that d1 is the lowest melodic note in the piece, which might mean that it is a flute arrangement of a violin sonata. The other two sonatas also stand on an uncertain footing in regard to their sources. On the other hand, their elegant slow movements are crafted with a melodic mastery such as is often found in Johann Sebastian Bach's music. As long as there is no definitive evidence for attribution to another composer, we shall continue to respect the traditional attribution to “Father” Bach.