Jazz Voicings for Piano: The Complete Linear Approach Part I: The "Drop Two" Harmonic Technique 爵士音樂 鋼琴

爵士音域：爵士和聲：完整的線性方法》專為爵士鋼琴家設計，旨在拓寬他們的爵士和聲知識，培養掌握標準曲調和爵士器樂中的和聲進行的實用技能。本教程專為業餘或專業爵士樂鋼琴家而設計，將循序漸進地引導您掌握線性和聲法的所有基本要素。第二部分：聲部引導、音階和和絃進行從線性而非垂直的角度來學習爵士和聲。和絃（和聲）不是被簡單地視為單個和絃的連續，而是被視為多層次的線條，它們按照聲部引導和對位元的規則以互補的方式相互作用。有了這些知識，爵士鋼琴家就能更好地找到非常規的和聲替換，創造出有趣的和絃聲部，並以輕鬆而富有創造性的方式實現標準曲調和爵士器樂中最複雜的和絃行進。這些章節包括爵士八度規則、和聲工具箱、和聲網格、藍調，最後是你應該知道的爵士進行。每章都包括一個練習部分，其中包含精心設計的和聲練習，以獨特有趣的方式利用和補充每章的內容"

作曲家: Dariusz Terefenko
樂器: Keyboard/Piano
出版社: Advance Music
難度: Intermediate;
風格: Jazz
原文簡介:
Jazz Voicings: The Complete Linear Approach is designed for jazz pianists seeking to broaden their knowledge of jazz harmony and to cultivate practical skills for mastering the harmonic progressions found in standard tunes and jazz instrumentals. Created for amateur or professional jazz pianists, this path takes you step-by-step through all essential aspects of the linear approach. Part I: The "Drop-Two" Harmonic Technique begins with the simple process of dropping the second note from a close-position chord down an octave to create an open-position voicing. Making an analogy between language and music, natural languages contain a lexicon of words that allow people to communicate their thoughts and feelings to others, music (jazz) harmony contains a lexicon of chords that allow jazz musicians to communicate. Part I defines these rules and clearly explains how to use them with a distinctive approach to voice leading, dissonances treatment, and counterpoint, which are logical extensions of the syntax of jazz harmony. The chapters are: "Four-Part Chords," "Inverted Chords," "Five-Part Chords," "Rootless Chords," and finishing with "Six-Part Chords" and "Incomplete Chords." The concluding Exercise Section contains carefully-designed harmonic drills that utilize and complement the content of each chapter in unique and interesting ways.