Concerto for Pianoforte, Violin, Violoncello and Orchestra C major op. 56 "Triple Concerto" 貝多芬 協奏曲 鋼琴 小提琴大提琴 管弦樂團 三重協奏曲 騎熊士版

在貝多芬的《三重協奏曲》中，鋼琴三重奏擔任獨奏，這在音樂史上尚屬首次。貝多芬對三重奏的處理是開創性的：他沒有採用典型的鋼琴三重奏形式與管弦樂隊形成對比，而是對獨奏部分進行了不同的處理，讓每件樂器與管弦樂隊（尤其是大提琴）單獨演奏，將兩件獨奏樂器以全新的形式組合在一起，最後將所有三件樂器與管弦樂隊彙聚在一起。貝多芬編織了一張複雜的網--管弦樂、鋼琴、小提琴和大提琴的聲音交相輝映、糾纏在一起--他創作了一部真正的傑作"

作曲家: Beethoven, Ludwig van
改編者: Schelhaas, Martin
校訂者: Del Mar, Jonathan
樂器: for Pianoforte, Violin, Violoncello and Orchestra
出版社: Bärenreiter 騎熊士(小熊版)
原文簡介:
In Beethoven’s Triple Concerto, a piano trio provides the soloists – a first in the history of music. Beethoven’s treatment of the trio is pioneering: he does not apply a typical piano trio setting in contrast to the orchestra, but varies his treatment of the solo parts, allowing each instrument to play alone with the orchestra (particularly the cello), using two solo instruments together in ever new combinations, and finally bringing together all three instruments with the orchestra. Beethoven weaves a complex web – the orchestral, piano, violin and cello voices interplaying and entwining – and he produces a true masterpiece.

Bärenreiter’s new Urtext edition of Beethoven’s Triple Concerto is a completely fresh revision of this warm and beautiful showpiece. Errors abounded in all previous editions, but with the assistance of three newly-discovered sources, editor Jonathan Del Mar has cleaned up the text, corrected wrong notes and rhythms and (for the first time since 1807) presented the work in a way that a musician of Beethoven’s day might have recognized, with all necessary information for directing the piece included in the solo piano part.

- Piano reduction with separate parts for all three soloists

- Draws on three new sources

- Correction of many errors found in previous editions