Allegro And Finale, For Double Bass, Tuba, Bass Saxhorn Or Bass Trombone 終曲 倍低音號 低音長號 長號

"時至今日，歐仁-博紮（1905-1991 年）仍是最多產的管樂器作曲家之一，儘管他本人也是一名小提琴家。他為低音銅管樂或低音提琴創作的《快板與終曲》與鋼琴伴奏，為曲目增添了精緻而獨特的色彩。 在巴黎音樂學院學習期間，博紮獲得了小提琴、指揮和作曲獎，以及羅馬大獎。之後，他指揮了科米克歌劇院管弦樂團，並成為瓦朗謝訥音樂學院院長，同時仍是一位傑出的作曲家。博紮的《快板與終曲》創作於 1953 年，反映了作曲家在為各種樂器作曲方面的成功。音樂教育家保羅-格里菲斯（Paul Griffiths）曾這樣評價博紮的作品：""他的作品旋律流暢，結構優雅，對樂器的性能始終保持著敏感的關注。"""""

作曲家: Eugène Bozza
樂器: Bass Trombone
出版社: Alphonse Leduc

曲目:
Allegro And Finale For Double Bass, Tuba

原文簡介:
“To this day, Eugène Bozza (1905-1991) remains one of the most prolific composers for wind instruments, despite being a violinist himself. His Allegro and Finale for bass brass or Double Bass with Piano accompaniment is an exquisite and unique addition to the repertoire. During his studies at the Paris Conservatoire, Bozza won prizes for Violin, conducting and composition, as well as the Grand Prix de Rome. He then conducted the orchestra of the Opéra-Comique and became Head of the Conservatoire in Valenciennes, whilst remaining a prominent composer. Composed in 1953, Bozza's Allegro and Finale reflects the composer's success in composing for a variety of instrumentations. As music educationalist, Paul Griffiths has written of Bozza's compositions, ”“his works reveal melodic fluency, elegance of structure and a consistenly sensitive concern of instrumental capabilities.”“”