Four Trios from the Renaissance Period 三重奏 樂段 豎笛3把以上 齊默爾曼版

乍看之下頗不尋常：單簧管演奏的是文藝復興時期的坎松舞曲（即聲樂）。理查-施特勞斯認為，單簧管是最接近人聲的樂器。因此，讓學生和其他單簧管演奏者熟悉文藝復興時期的音樂似乎是理所當然的。從技術角度看，這些曲目（坎佐內特）沒有任何問題，但演奏者必須全神貫注，因為各聲部都有自己的節奏方式。就教學而言，這些小三重奏對練習合奏大有幫助，而作為演奏曲目，它們則是寶貴而有趣的補充

作曲家: Morley, Thomas
校訂者: Seebohm, Dietrich
樂器: 3 clarinets in Bb
出版社: Musikverlag Zimmermann
原文簡介:
Rather unconventional on first sight: clarinets play Canzonets (i.e. vocal music) from the Renaissance period. According to Richard Strauss, the clarinet is the instrument that comes closest to the human voice. Thus, it seems legitimate to make students and other clarinet players familiar with Renaissance music. They (the Canzonets) pose no problem from a technical point of view, however, require the performer's absolute attention, because the parts have their own rhythmic ways. For instruction purposes, these little trios are of great help to practise ensemble playing, and as performance pieces they are a valuable and interesting addition to the repertoire.(taken from the preface)