Der Barbier von Sevilla Overture 序曲 豎笛3把以上

慢板引子、以兩個對比主題為特色的快板部分、調性變化、節奏再次加快，最終形成一個有效的結尾--這就是羅西尼歌劇序曲的創作模式。最著名的序曲之一可能就是《塞維利亞理髮師》的序曲。下面就手頭的編曲談幾點看法： 第一聲部和第二聲部在各自音區的編排方式應能讓您輕鬆演奏。然而，第三聲部的配樂難度較大。我認為最好用低音號或中音單簧管演奏這一聲部，因為旋律優美的段落是用這兩種樂器的音域來記譜的。如果您選擇用降 B 調單簧管演奏這一聲部，您將不得不演奏一些高八度的音符。而如果用低音單簧管（其音域僅到降E）來演奏第四聲部，您也必須將一些音符調高一個八度。當然，這些事實並不會影響此編曲的可演奏性！請盡情排練和演奏這首絕對令人印象深刻的作品吧。(彼得-舒伯特）

作曲家: Rossini, Gioacchino Antonio
校訂者: Schubert, Peter
樂器: 4 clarinets (2 clarinets in Bb, basset horn (or clarinet in Bb or alto-clarinet in Eb) and bass clarinet in Bb)
出版社: advance music GmbH
原文簡介:
A slow introduction, a fast part featuring two contrasting themes, a key change, once again an increase in tempo leading up to an effective close - that’s the pattern the composition of many overtures to Rossini’s operas are based on. Probably one of the most well-known overtures is the one to The Barber of Seville. Here are some remarks on the arrangement on hand: The first and second voices are arranged – in their respective registers - in a way that should enable you to play them easily. The third voice, however, turned out to be more difficult to score. I think it would be best to play this voice on the basset horn or the alto clarinet since the melodious passages are notated in a register well-suited for these two instruments. In case you choose to perform this voice on the Bb clarinet, you will be forced to play some notes one octave higher. And if the bass clarinet – whose tone range just goes as far as notated Eb – takes the part of the fourth voice, you would also have to transpose some notes up an octave. These facts do certainly not detract from the performability of this arrangement! Enjoy rehearsing and performing this absolutely impressive piece. (Peter Schubert)