String Trio E Flat Major K.563 莫札特 弦樂三重奏 亨乐版
許多專家和愛好者都認為莫札特的降 E 大調弦樂三重奏 K. 563 是他最傑出的作品之一。這部傑作於 1788 年 9 月 27 日作為 "嬉游曲 "收錄在莫札特自己的作品目錄中，它給 Urtext 的編輯帶來了巨大的挑戰。親筆手稿從那時起就丟失了，也沒有其他一流的原始文本。最可靠的資料來源是莫札特逝世兩個月後出版的第一版，儘管顯然不夠精確。然而，遺憾的是，許多二十世紀的版本都重印了佈雷特科普夫與哈特爾的所謂 "舊版合集"（Alte Gesamtausgabe）的音樂文本，而該版本的編輯者正是小提琴家約瑟夫-約阿希姆（Joseph Joachim），他依據的是錯誤的副本，因此完全是訛誤。即使是 "Neue Mozart-Ausgabe"（新莫札特版）也並非沒有錯誤。亨勒版基本上沿用了第一版，但在批判性評注中描述了大量的修正干預。該版本的附錄介紹了 G 大調弦樂三重奏樂章的殘存片段，K. Anh. 66 (562e). 遺憾的是，莫札特從未完成這首同樣美妙的樂曲。這首樂曲稍稍超出了樂曲的展開部分，因此可以作為一首簡短的安可曲。這三個獨立的部分為閱讀和演奏提供了最佳的流暢性，這要歸功於其佈局中巧妙的注釋分配，例如各種折疊表格和留白的個別頁面。學習版（HN 9625）可單獨購買，它提供了本版各聲部的完整樂譜"
作曲家: Wolfgang Amadeus Mozart
校訂者: Wolf-Dieter Seiffert
樂器: String Trio
出版社: Henle Urtext Edition
曲目:
Mozart: Divertimento E flat major KV 563
Mozart: String Trio (Fragment) G major KV Anh. 66 (562e)
原文簡介:
More than a few experts and aficionados count Mozart's string trio in E flat Major K. 563 among his most magnificent compositions. This masterwork, entered into Mozart's own catalog of works September 27th, 1788 as a “Divertimento,” presents the Urtext editor with great challenges. The autograph manuscript has been lost since that time, and no other first-rate source texts exist. The most reliable, albeit clearly imprecise, source is the first edition, published two months after Mozart's death. Many twentieth-century editions, however, unfortunately reprinted the musical text of Breitkopf & Hartel's so-called “Alte Gesamtausgabe” (Old Collected Edition), which was edited by none other than the violinist Joseph Joachim on the basis of incorrect copies and is therefore completely corrupt. Even the “Neue Mozart-Ausgabe” (New Mozart Edition) is not error-free. The Henle edition essentially follows the first edition, though aided by numerous corrective interventions, described in the Critical Commentary. The edition's Appendix presents the surviving fragment of the string trio movement in G Major, K. Anh. 66 (562e). How unfortunate that Mozart never completed this equally wonderful music, which continues a little beyond the exposition and thus may quite aptly serve as a short encore. The three individual parts offer optimal flow for reading and playing thanks to the artful apportioning of notes in their layout, including, for instance, various foldout tables and individual pages left blank. The study edition (HN 9625), available separately, provides the full score to this edition of the parts.