Intensive Trumpet Technique Warm-ups, technical training and studies 小號 小號教材 朔特版
大多數小號演奏者吹奏時都有點過於向下，因此，受力點位於下唇。其結果是：音色渾厚、沉悶，沒有高音和流暢性。目前的技術練習有助於將壓力點轉移到上唇。這樣，就能逐漸獲得更好的高音、更細膩的音色以及更好的吹嘴。這也有助於在吹奏時保持肺部更加開闊，發展更好的肺活量和力量。這也有助於避免姿勢性損傷，例如椎間盤受損或肺萎縮
編者: Aszodi, Ferenc
樂器: trumpet
出版社: Schott Music
曲目:
Warm-up exercises - Chord studies - Triple-tonguing - Double-tonguing - Exercises for loosening up - Exercises for the high register and stamina - Interval exercises (air-cushion system) - Exercises using low fundamentals - Modern studies - Scale exercises - Octave exercises - Paralo chromatics - Slurred chromatic exercises - Slurring exercises - Loosening up exercises using slurs - Glissando - Technical slurring exercises - Daily training using slurs - Tonguing exercises - Articulation exercises for the air-cushion system - Repeated note exercises - Exercises for high notes and stamina - Rolling slurs - Slurring and intonation across intervals
Most trumpet players blow downward a bit too much; as a consequence, the pressure point lies on the lower lip. The result: a thick, dull tone without treble and smoothness. The present technical exercises help to shift the pressure point to the upper lip. Thus, a much better treble, a finer tone and generally a better embouchure is gradually achieved. This also helps to keep the lung more open when blowing and to develop better lung volume and strength. Not least, it helps to avoid postural impairment, e.g. damaged discs or atrophied lungs.Contains all-important information on trumpet techniques, a 'check-up' for advanced players and professional trumpet players.