The Orchestral Violinist Vol. 2 管弦樂團小提琴家 小提琴練習曲 博浩版
這些選自古典、浪漫和二十世紀音樂會曲目的曲目不僅為有抱負的管弦樂演奏家收集了高難度的樂段，還揭示了演奏中的訣竅。羅德尼-弗蘭德曾擔任紐約愛樂樂團、倫敦愛樂樂團和英國廣播公司交響樂團等世界一流交響樂團的領隊（音樂會指揮），擁有 40 多年的豐富經驗，因此曾與海廷克、梅塔、巴倫博伊姆、索爾蒂、朱裡尼和伯恩斯坦等一流大師合作演出。管弦樂小提琴家》通過將每部作品的摘錄彙編成獨立的研究報告，提煉出了弗蘭德的專業知識。詳細的指法已經應用，可行的弓法以紅色重現，解決了演奏者面臨的所有技術問題。尤其重要的是樂曲中的注釋，為了清晰起見，這些注釋用綠色字體再現。這些說明解釋了如何通過技巧來處理樂曲的分句、銜接和投射：準確地告訴你應該使用弓子的哪個部分，以及在特定位置上的最佳運弓速度；強調了左右手動作互補的重要性。尤其值得注意的是，對曲目中最難演奏的段落之一--斯特拉文斯基《春之祭》中的 "祭祀舞曲"--的詳細注釋。這種新方法是準備試演者不可或缺的資源"
編者: Friend, Rodney
樂器: violin
出版社: Boosey & Hawkes
曲目:
Ravel: La Valse - Mendelssohn: Symphony No. 4 Italian - Rachmaninoff: Symphony No. 2 - Sibelius: Symphony No. 2 - Britten: Variations on a theme of Frank Bridge - Schuber: Symphony No. 9 The Great C major - Bruckner Symphony No. 9 - Brahms: Symphony No. 4 - Schumann: Symphony No. 2 - Walton: Overture Portsmouth Point - Rimsky-Korsakoff: Scheherazade - Beethoven: Symphony No. 3 Eroica - Wagner: Overture Die Meistersinger von Nürnberg - Moussourgsky/Ravel: Pictures at an Exhibition - Stravinsky: Suite from The Firebird - Prokofieff: Romeo and Juliett Suite No. 1 - R. Strauss: Till Eulenspiegels lustige Streiche - Stravinsky: Tarantella from Pulcinella Suite - Glinka: Overture Russlan and Ludmilla - Beethoven: Overture Egmont - Dvorák: Carnival Overture - Mahler: Symphony No. 1 - Mendelssohn: Scherzo form A Midsummernight's Dream - Tchaikovsky: Serenade (Waltz) - Copland: Appalachian Spring Suite - Dukas: The Sorcerer's Apprentice
More than just a collection of difficult passages for the aspiring orchestral pro, these extracts from the classical, romantic and twentieth-century concert repertoire reveal the tricks of the trade. Rodney Friend has over 40 years’ experience as leader (concert-master) of some of the world’s leading orchestras, including the New York Philharmonic, London Philharmonic and BBC Symphony, and has thus performed with leading maestri such as Haitink, Mehta, Barenboim, Solti, Giulini and Bernstein. The Orchestral Violinist distils Friend’s expertise by assembling extracts from each work as self-contained studies. Detailed fingerings have been applied, and workable bowings are reproduced in red, solving all of the technical problems faced by the player. Especially important is the commentary peppering the music, and reproduced in green for clarity. These instructions explain how to negotiate phrasing, articulation and projection of the music through technique: you are shown exactly which portion of the bow to use and the optimum speed of bow at given points; the importance of complementarity of left- and right-hand action is emphasised. Particularly noteworthy is the detailed commentary on one of the most taxing passages in the repertoire, the Sacrificial Dance from Stravinsky’s The Rite of Spring. This new approach forms an indispensable resource for those preparing for auditions.