36 Melodious and Easy Studies op. 84 丹克拉 中提琴練習曲 朔特版

查理斯-丹克拉（Charles Dancla，1817-1907 年）被認為是法國小提琴學派的最後一位傑出代表。他是作曲家、巴黎歌劇院小提琴獨奏家、巴黎音樂學院教授，創作了大量小提琴教育作品，包括著名的三卷本作品《旋律小學校》。他以獨特的方式將 "沒有技巧就沒有音樂，沒有音樂就沒有技巧 "的原則貫徹到教材中。他的簡易旋律練習曲作品 84 便是如此，這也是他首次為中提琴編曲。這些練習曲非常適合二年級以後的年輕初學者，也適合成年演奏者、假初學者或樂器轉換者。它們中的大多數都可以有效地用作小型演奏曲目，為每首高級練習曲或音樂會曲目打下良好的基礎。每首練習曲之前都有新的或修改過的練習，這些練習要麼是針對與演奏技巧有關的具體問題，如換弦、連奏、馬特萊、半音階、換把位、八度或雙音句號，要麼是以一種濃縮的、俏皮的形式介紹相應練習曲的音色材料

作曲家: Dancla, Charles
編者: Mueller-Runte, Julia / Mueller-Runte, Martin
樂器: viola
出版社: Schott Music
原文簡介:
Charles Dancla (1817-1907) is considered to be the last great representative of the French Violin School. He was a composer, solo violinist at the Paris Opera and professor at the Paris Conservatoire and wrote numerous educational works for violin, including his well-known three-volume work Little School of Melody'. He knew, in a unique way, how to implement the principle 'no music without technique, no technique without music' in his teaching material. This is the case in his easy melodic studies Op. 84 which are available here in an arrangement for viola for the first time. These studies are perfectly suited for young beginners after the second year, but also for adult players, false beginners or those switching instruments. Most of them can be effectively used as little performance pieces, providing an excellent foundation for every advanced étude or concert piece. Each study is preceded by new or revised exercises which either deal with specific problems relating to the playing technique, like change of string, spiccato, martelé, chromaticism, change of position, octaves, or double stops, or present the tonal material of the respective study in a condensed, playful form.Those who prefer Dancla's somewhat easier original preliminary exercises will find them in the appendix.A little dictionary of the musical and technical terms in this volume shall make their meaning accessible to young players in particular.