Violin Spaces Contemporary violin studies 小提琴速度小提琴 小提琴獨奏 朔特版

這八首樂曲常常以幽默的方式演奏，並始終注重音樂的表現力，是每位小提琴家練習演奏技巧、提高實驗熱情和享受演奏樂趣的完美之選。(Carolin Widmann) "這本小提琴音樂會練習曲集探討了通常所說的 "擴展技巧"。這些技巧在古典音樂中大多處於次要地位，但經過不斷發展，現已佔據音樂的主要地位。每項研究都集中在一種技巧上，研究它在技術上是如何運作的，並探索它在音樂上的可能性。之所以稱其為 "空間"，是因為它們不僅是音樂會曲目，還旨在為圍繞這些技巧的探索、討論和即興創作開闢空間。同時，它們也是為了讓演奏、練習和聆聽變得愉快。這些 "空間 "絕非專為當代音樂專家準備的複雜技巧的深奧手冊，而是旨在幫助所有小提琴家以一種充滿樂趣和想像力的方式探索樂器的可能性，並發現一些對他們演奏各種風格的音樂都會產生切實積極影響的聲音和技巧。我們都可以通過打開周圍的空間來擴展我們的技巧，並將其發揮到極限。小提琴空間》獻給迪亞曼達-德拉姆，她的才華、熱情、建議和回饋對我構建這些'空間'提供了巨大的幫助。(加斯-諾克斯）

作曲家: Knox, Garth
樂器: violin
出版社: Schott Music
原文簡介:
Often in a humoristic manner and always with musical expression in focus, these eight pieces are perfect for every violinist to practice playing techniques and to enhance the enthusiasm to experiment and the joy of playing. (Carolin Widmann)'This collection of concert studies for violin explores what are often referred to as “extended techniques”. These are for the most part techniques which are already present in classical music in a secondary role, but which have now, through continuous development, come to occupy a musical place of primary importance. Each of the studies concentrates on a single technique, investigating how it works technically, and exploring its musical possibilities. They are called “Spaces” because as well as being concert pieces, they are intended to open up spaces for exploration, discussion and improvisation around these techniques. They are also intended to be enjoyable to play, to work on and to listen to. Far from being an esoteric handbook of complex techniques reserved for contemporary music specialists, these “Spaces” are designed to help all violinists to explore, in a playful and imaginative way, the possibilities of their instrument and to discover some sounds and techniques that will have very tangible positive effects on their playing of all styles of music. We can all extend our techniques by opening up the space around them and taking them to their limits. The Violin Spaces are dedicated to Diamanda Dramm, whose talent, enthusiasm, suggestions and feedback were an enormous help to me in the construction of these ”Spaces”.' (Garth Knox)