Sonate per Clavicembalo Volume 7 Critical Edition Sonatas for Harpsichord 斯卡拉第多梅尼科 奏鳴曲 大鍵琴
多梅尼科-斯卡拉蒂所有奏鳴曲的這一批判性版本的理由是，有必要為演奏者和學者提供一個在語言學上忠實于作者意圖的文本（只要通過對現存印刷品和手稿資料的比較研究可以重建），並且盡可能真實地呈現，不受編輯干預或對演奏或詮釋的建議
作曲家: Domenico Scarlatti
校訂者: Emilia Fadini
樂器: Piano
出版社: Ricordi
曲目:
SONATA L427 K402
SONATA L470 K403
SONATA L222 K404
SONATA L43 K405
SONATA L5 K406
SONATA LSUP4 K407
SONATA L346 K408
SONATA L150 K409
SONATA LSUP11 K415
SONATA L149 K416
SONATA LSUP2 K420
SONATA L252 K421
SONATA L451 K422
SONATA L102 K423
SONATA L463 K430
SONATA L288 K432
SONATA L453 K433
SONATA L343 K434
SONATA L361 K435
SONATA L109 K436
SONATA LSUP39 K441
SONATA L319 K442
SONATA L289 K424
SONATA L333 K425
SONATA L278 K437
SONATA L381 K438
SONATA L418 K443
SONATA L420 K444
SONATA L385 K445
SONATA L433 K446
SONATA L444 K449
SONATA L338 K450
SONATA L294 K447
SONATA L485 K448
SONATA L414 K388
SONATA L482 K389
SONATA L234 K390
SONATA L79 K391
SONATA L246 K392
SONATA L74 K393
SONATA L275 K394
SONATA L65 K395
SONATA L110 K396
SONATA L208 K397
SONATA L218 K398
SONATA L274 K399
SONATA L213 K400
SONATA L365 K401
SONATA LSUP43 K410
SONATA L69 K411
SONATA L182 K412
SONATA L125 K413
SONATA L310 K414
SONATA L462 K417
SONATA L26 K418
SONATA L279 K419
SONATA L128 K426
SONATA L286 K427
SONATA L131 K428
SONATA L132 K429
SONATA L83 K431
SONATA L47 K439
SONATA L97 K440
SONATA L243 K451
原文簡介:
This critical edition of all the sonatas of Domenico Scarlatti is justified by the necessity of offering performers and scholars a text which is philologically faithful to the author's intentions (in so far as this can be reconstructed through a comparative study of the surviving printed and manuscript sources) and which is presented as authentically as possible, free from editorial interference or suggestions for performance or interpretation.
The study of musicology and especially of the performing traditions of baroque music has advanced considerably since Alessandro Longo achieved the mammoth task of publishing the entire corpus of Scarlatti's sonatas for the first time, and today we can deal with problems of text and interpretation with a surer and deeper methodological awareness; all of these will be adequately treated in the Appendix to this edition, which will contain also a general thematic catalog of the complete sonatas.