Concerti for Violin, Strings & Basso Continuo RV320, RV378, RV745 Critical Edition Score 韋瓦第 弦樂器 弦樂 小提琴(含鋼琴伴奏)

在維瓦爾第創作的數百首小提琴協奏曲中，有三首小提琴協奏曲部分未完成，這三首協奏曲是他作為演奏家的核心作品： RV 370、RV 378 和 RV 745。RV 378 只保留了第一樂章的一部分，RV 320 只缺少第三樂章末尾的幾個小節，而 RV 745 只保留了最後一個樂章。然而，這種性質的不完整卻產生了可演奏的、完全令人愉快的文本。這三首協奏曲的手稿均為維瓦爾第的親筆手稿，可追溯到維瓦爾第最後的創作時期（約 1730-1741 年），在此期間，這位 "紅色牧師 "將他的各種音樂經歷融合在一起，創造出了一種日益迥異和內省的音樂語言。通過協奏曲 RV 320 第一樂章的大小調明暗對比、RV 378 的激情演奏和 RV 745 的機械演奏，這三首協奏曲展現了維瓦爾第晚年在處理小提琴時的想像力和複雜性"

作曲家: Antonio Vivaldi
樂器: Strings; Violin; Basso Continuo
出版社: Ricordi
原文簡介:
Among the hundreds of violin concertos written by Vivaldi, which stand at the centre of his activity as a virtuoso, there are three that are in part incomplete: RV 370, RV 378 and RV 745. While only a portion of the first movement has survived in the case of RV 378, RV 320 lacks only a few bars at the end of its third movement, and only the last movement of RV 745 is extant. Incompleteness of this nature does, however, result in performable and perfectly enjoyable texts. The manuscripts of these three concertos are all autograph and datable to Vivaldi's last creative period (c. 1730-1741), years in which the Red Priest mixes his various musical experiences to create a language that is increasingly disparate and introspective. With the major-minor chiaroscuro of the first movement of the concerto RV 320, the spirited virtuosity of the RV 378 and the more mechanical virtuosity of RV 745, these three concertos offer a cross-section of the imagination and complexity that Vivaldi brings to the treatment of the violin in his late maturity.