Concerto for Pianoforte and Orchestra D major op. 61 (after the Violin Concerto) 貝多芬 協奏曲 鋼琴 管弦樂團 小提琴 協奏曲 騎熊士版

在參加了貝多芬莊嚴的小提琴與管弦樂隊協奏曲首演之後，穆齊奧-克萊門蒂找到作曲家，要求將這部作品改編成鋼琴與管弦樂隊的版本；1807 年，他的願望得以實現，不僅為我們提供了這部作品的另一個版本，而且還提供了貝多芬未曾為小提琴協奏曲寫過的帶有真實快板的版本！這個版本在現有資料的基礎上進行適當編輯已經等待了很長時間，著名的貝多芬學者喬納森-德爾馬（Jonathan Del Mar）已經完成了這項工作！

作曲家: Beethoven, Ludwig van
改編者: Schelhaas, Martin
校訂者: Del Mar, Jonathan
樂器: for Pianoforte and Orchestra
出版社: Bärenreiter 騎熊士(小熊版)
原文簡介:
After attending the premiere of Beethoven’s stately concerto for violin and orchestra Muzio Clementi approached the composer and requested the work in a transcription for piano and orchestra; his wish was fulfilled in 1807 providing us with not just an alternative version of the composition but also one with authentic cadenzas which Beethoven had not written for the Violin Concerto! This version has waited a long time to be properly edited after the existing sources and the famed Beethoven scholar Jonathan Del Mar has done just that!

Working with all known sources, Del Mar finally presents us with Beethoven’s solo piano articulation and dynamics and Beethoven’s cadenzas. And, for the first time we now have clarity regarding the meaning of Beethoven’s Solo and Tutti markings.

All in all, a groundbreaking scholarly critical edition; a “must“ for every pianist, every orchestra and every music library.

The piano reduction will be presented in a new format:

As customary in the 19 th century there will be a solo piano part containing tutti passages, cues and the piano solo. This part will be inserted – as with string and wind concertos – in the piano reduction. This affords the soloist sensible page turns and offers the possibility to lead the ensemble from the piano. The piano reduction will include the reduction of the orchestral score as well as the solo piano part above it in small print.

- High quality Bärenreiter Urtext edition

- Urtext solo piano part and an additional piano part with fingering

- New kind of presentation of the piano reduction incorporating solo piano parts as customary in the 19 th century