Aria Album from Handel's Operas -Male Roles for High Voice- Male Roles for High Voice 韓德爾 詠唱調 歌劇 高音 騎熊士版

義大利歌劇是亨德爾 35 年來創作的中心，獨唱詠歎調是巴羅克歌劇中最重要的元素之一。戲劇角色的各種情緒和反應通過詠歎調表現出來。亨德爾的大量歌劇中還包含至少一個由兩到三個聲部組成的完整場景。這些樂段不僅採用了類似詠歎調的抒情或表現形式，還運用了亨德爾室內樂中的協奏元素"

作曲家: Handel, George Frideric
校訂者: Burrows, Donald
出版社: Bärenreiter 騎熊士(小熊版)
原文簡介:
Italian opera was at the centre of Handel’s output for over 35 years with solo arias constituting one of the most important elements in Baroque opera. Dramatic roles, with their various moods and reactions, are characterised through arias. A large number of Handel’s operas also contain at least one entire scene for two to three voices. These numbers make use not only of similar lyrical or expressive forms of expression such as the arias, but also employ contrapuntal elements as found in Handel’s chamber music.

Based on the Bärenreiter vocal scores, three volumes were published which contain some of Handel’s best-known arias, duets and trios, together with less well-known numbers of equally high musical quality. The arias are arranged chronologically, reflecting the order in which the operas were composed.

The three volumes:

Female roles for high voice (BA 4295)

Male roles for high voice (BA 4296)

Duets, Trios and Ensemble Scenes (BA 4297)

- Unbeatable collections of Handel’s most beautiful arias and ensembles

- Musical text based on the Urtext vocal scores of the “Halle Handel Edition”

- Detailed foreword (Eng/Ger) by Donald Burrows on Handel’s singers and on the arias in the context of the operas

- Translations of the Italian aria texts (Eng/Ger)