Alla Turca Jazz op. 5b Fantasia on the Rondo from the Piano Sonata in A major K. 331 by Wolfgang Amadeus Mozart 賽伊．法佐 土耳其風的爵士音樂 幻想曲 迴旋曲 鋼琴奏鳴曲 大調 鋼琴獨奏 朔特版

沃爾夫岡-阿瑪迪斯-莫札特（Wolfgang Amadeus Mozart）的《A大調奏鳴曲KV 331》的最後樂章《土耳其迴旋曲》（Rondo Alla Turca）是有史以來最著名的鋼琴曲之一。法茲爾-薩伊的改編曲最初是作為有效的安可曲而創作的，後來也受到了人們的歡迎。法茲爾-薩伊的編曲最初是作為有效的安可曲目而創作的，在前八小節以原始形式呈現後，可以發現爵士樂的典型元素疊加在仍然可辨認的古典基礎之上，如高音的切分音和通過半音階藍音進行的裝飾，並嵌入時而狂熱的半音階鏈中。本著作品的即興特點，薩伊喜歡以不同的組合方式演奏《阿拉-圖爾卡爵士樂》，例如由爵士歌手或樂隊伴奏。法茲爾-薩伊出生於土耳其，不巡演時仍居住在土耳其，他沒有將莫札特對真正土耳其音樂的詮釋帶回土耳其，這似乎有些奇怪，尤其是他的許多作品，如《黑土地》或《小提琴奏鳴曲》，都巧妙地融合了古典浪漫主義傳統、土耳其民間音樂和爵士樂元素。2006 年在維也納首演的芭蕾舞音樂《帕塔拉》在莫札特的基礎上進行了進一步的改編，以同一首 A 大調奏鳴曲（與《阿拉-圖爾卡》的主題一樣廣受歡迎）第一樂章中類似洛可哥的主題為基礎進行創作，薩伊利用了《阿拉-圖爾卡》中缺乏的聯繫，儘管方向相反。在芭蕾舞音樂中，鋼琴象徵著西方文化，而奈伊長笛則象徵著東方文化，並通過樸素的打擊樂器和女高音歌唱來傳達氣氛"

作曲家: Say, Faz?l
樂器: piano
出版社: Schott Music
原文簡介:
The final movement of the Sonata in A major KV 331 by Wolfgang Amadeus Mozart, the Rondo Alla Turca, is one of the most famous piano pieces of all time. Once only familiar to musical experts, later a universal piece for all piano pupils, its opening melody is now even omnipresent as an alienated sinus tone-like mobile phone ring tone.Faz?l Say's arrangement, originally created as an effective encore, follows on from this popularity. After the first eight bars have been presented in original form, typical elements of jazz superimposed on the still recognisable classical foundations can be discovered, such as syncopation of the top notes and ornamentation through chromatic blue notes, embedded in the at times frenzied chains of semiquavers. In the spirit of the work's improvisatory character, Say likes to perfom his Alla Turca Jazz in different combinations, for example accompanied by jazz singers of with orchestra. It may appear strange that Faz?l Say, who was born in Turkey and - when not on tour - is still resident in that country, does not bring back Mozart's interpretation of genuine Turkish music closer to its own roots, particularly as many of his compositions such as Black Earth or the Violin Sonata are characterised by a subtle amalgamation of the Classical-Romantic tradition, Turkish folk music and elements of jazz. In a further Mozart arrangement, the ballet music Patara premiered in Vienna in 2006, composed on the basis of the Rococo-like theme from the first movement of the same A-major Sonata (wich enjoys almost as great popularity as the Alla Turca theme), Say utilised the connection which was absent in Alla Turca, albeit in the opposite direction. In the ballet music, the piano symbolises Western culture and the Ney flute Oriental culture, communcated atmosperically by austere percussion instrumentation and soprano vocalisation.