Gloria RV 589 韋瓦第 騎熊士版

如今，《榮光頌》RV 589（BA 7674）是維瓦爾第最著名的作品之一，也是巴羅克時期最常演奏的神聖聲樂作品之一。維瓦爾第在創作 "榮光頌 "時，採用了協奏曲彌撒的風格，將其作為一部自成一體的作品。不過，它也可能在教堂儀式中演奏。從獨唱聲部（SSA）的配樂來看，這部作品是維瓦爾第於 1716 年左右在 Ospedale della Pietà 工作期間創作的。在 "榮光 "的十二個樂章中，維瓦爾第展現了他的全部精湛技藝，從喜慶、崇高的外樂章到柔美、配樂透明的獨唱段落，無所不包"

作曲家: Vivaldi, Antonio
改編者: Bruno, Malcolm
校訂者: Bruno, Malcolm / Ritchie, Caroline
出版社: Bärenreiter 騎熊士(小熊版)
原文簡介:
Today the “ Gloria” RV 589 (BA 7674) is one of Vivaldi’s best-known compositions and one of the most frequently performed sacred vocal works from the Baroque period. Vivaldi wrote the “ Gloria” as a self-contained work in the style of a concertante mass. However, it was probably also performed within church services. The scoring of the solo voices (SSA) suggests that the work was written during his period at the Ospedale della Pietà, around 1716. In the twelve movements of the “ Gloria” , Vivaldi displays the whole range of his mastery from festive, sublime outer movements to tender, transparently scored solo passages.

The same mastery has also been applied to the “ Kyrie” RV 587 (BA 8950), scored for two choirs and two groups of stringed instruments. The date of its composition remains unclear. It is a purely a choral work without solo passages.

Both works can be performed independently but can also be combined as a kind of short mass. Although the authenticity of the autograph manuscript score is beyond doubt, these new editions contain some re-evaluations in phrasing and performance practice which go beyond what other editions have to offer. The piano reductions are straightforward, clearly presented and preserve the character of the works.

- Attractive choral pieces which can be combined to form a short mass

- Vocal score as well as choral score available for the “ Gloria”

- Informative foreword (Ger/Eng)