Italian Concerto BWV 971 巴赫約翰瑟巴斯提安 義大利協奏曲 騎熊士版
這部如今被稱為《義大利協奏曲》的流行作品於 1735 年作為約翰-塞巴斯蒂安-巴赫的 Clavier- Übung 的第二部分出版，同時出版的還有《B 小調序曲》（BWV 831）。在那個年代，音樂出版物非常罕見，因此巴赫只選擇他認為優秀和有代表性的作品。這首樂曲最初是為雙把大鍵琴而作，在現代鋼琴上演奏時，鋼琴和強音之間交替出現的梯度動態也充分展現了它的美感，獨奏者和想像中的管弦樂團之間的生動交流被成功地模仿了出來"
作曲家: Bach, Johann Sebastian
校訂者: Emery, Walter / Kretschmar-Fischer, Renate
樂器: piano 鋼琴
出版社: Bärenreiter 騎熊士(小熊版)
原文簡介:
The popular work known today as the Italian Concerto was published as Part 2 of Johann Sebastian Bach’s Clavier- Übung in 1735, together with the Overture in B minor (BWV 831). Publications of music were a rarity in those days, and it stands to reason that Bach would select only pieces he found superior and representative. Originally written for a two-manual harpsichord, this music with its terrace dynamics alternating between piano and forte also reveals its full beauty when played on a modern piano where the lively interchange between the soloist and an imaginary orchestral tutti is successfully imitated.
This edition presents the Urtext of the “New Bach Edition” at the cutting edge of Bach scholarship. The fingerings have been added by Renate Kretschmar -Fischer, an internationally renowned pianist and teacher, offering valuable suggestions for study and lessons. Rounding off this volume is an informative introduction discussing the work’s genesis, source tradition as well as fingering on the modern piano.
- Urtext of the “New Bach Edition”
- Pragmatic fingerings
- Informative introduction