What becomes for piano 鋼琴 鋼琴獨奏 朔特版

有人會說，為 "自然 "鋼琴（而非預製鋼琴）寫作是非常自然的事情--是的，也許是這樣，但對我來說，多年來這並不自然。探索新事物和新聲音有時也與不願面對現狀、將自己隱藏在所謂的未來有關。 在我早期的許多作品中，我都是逃之夭夭地去準備鋼琴，想避免聽到自然的鋼琴聲，因為我太熟悉這種聲音了，而且我已經與它一起生活了四十年。但這次我不得不面對鋼琴，並試圖做出一些有趣的東西。(湯瑪斯-拉舍爾）"

作曲家: Larcher, Thomas
樂器: piano
出版社: Schott Music
原文簡介:
One could say that it is very natural to write for a “natural” [as opposed to prepared] piano - yes, maybe, but for me this had not been natural for many years. Exploring new things and sounds sometimes also has to do with not wanting to face the status quo, hiding oneself in a so-called future. In many of my earlier pieces I had fled into preparing the piano, wanting to avoid hearing the natural piano sound, which I knew too well and with which I had lived for forty years. I had always found it extremely difficult to say something personal, maybe even new with this sound.But this time I had to face the piano as such and try to make something interesting. (Thomas Larcher)