Variations sur un thème original op. 1 und 29 維多 變奏曲 鋼琴獨奏 朔特版

維多的管風琴作品在曲目中佔據了穩固的地位，而他的鋼琴作品卻只為一小部分鋼琴家所熟知，這可能是因為德彪西和拉威爾的鋼琴作品在這一領域勝過了他。1867 年首次發表的《原創主題音樂會變奏曲》充滿了深沉的憂傷，至今仍是他不可考證的第一部作品。這些作品表明，這位元年輕的作曲家以 J. S. 巴赫的調性語言為起點，但又賦予了他的變奏曲以自己浪漫的表達方式，讓人聯想到 "戈德堡變奏曲"。1876 年，他對變奏曲進行了修訂，並以略作修改的標題 "鋼琴原主題變奏曲 "作品 29 發表。我們精心編輯的新版本包含了這兩個版本（作品 1 和作品 29），可以毫不誇張地說，每一位音樂會鋼琴家都應該擁有這兩個版本

作曲家: Widor, Charles-Marie
編者: Friedrich, Felix / Friedrich, Irmtraut
樂器: piano
出版社: Schott Music
原文簡介:
Whereas the organ works by Widor have secured a solid position in the repertoire, his no less elaborate and artistic piano works are known to only a small circle of pianists, probably because the piano works by Debussy and Ravel outdid him in this field. 'Variations de Concert sur un thème original' carried by profound melancholy were published in 1867 for the first time and have remained his non-verifiable opus 1 to this day. They show that the young composer takes the tonal language of J. S. Bach as a starting point, yet gives his cycle of variations, which is reminiscent of the 'Goldberg Variations', its own romantic expression. In 1876 he revised the variations and published them under the slightly modified title of 'Variations sur un Thème original pour piano' Op. 29. Our carefully edited new edition contains both versions (Op. 1 and Op. 29) about which one may say without exaggeration that they should be in the possession of every concert pianist.