Variations op. 5 for cello and orchestra (1961-62) 薩利能 變奏曲 大提琴管弦樂團 總譜 芬尼卡·蓋爾曼版

奧利斯-薩利寧（生於 1935 年）是芬蘭當代最著名的作曲家之一。在早期的器樂作品中，薩利寧仍在尋求建立自己的風格。20世紀50年代末，他曾在西貝柳斯學院學習，先是師從阿勒-梅裡坎托（Aarre Merikanto）--一位代表新古典主義國家品牌的作曲家，然後又師從約納斯-科科寧（Joonas Kokkonen），當時他剛剛從新古典主義過渡到十二音調。十二音調音樂在芬蘭當代音樂中獲得了相當廣泛的認可，薩利寧也受到了影響。變奏曲》是薩利寧第一部真正意義上的大提琴作品--這種樂器後來成為他的最愛之一，其溫暖、深沉的嗓音與他音樂中經常出現的黑暗暗流相呼應。《大提琴與樂隊變奏曲，作品 5》創作於 1961-1962 年，首演於 1962 年 10 月。變奏曲的基本主題由一組由大提琴演奏的三個下降音程組成： D-D平F、C-B-G和B平A-F銳。使用這三個音程作為基本素材，反映了作曲家以十二音階為主的時期，而這一素材的變奏則為樂曲提供了框架。大提琴與管弦樂隊變奏曲》是首次出版，其中包括大提琴與鋼琴縮寫本、學習樂譜以及與管弦樂隊合作的完整演奏材料"

作曲家: Sallinen, Aulis
樂器: cello and orchestra
出版社: Fennica Gehrman
原文簡介:
Aulis Sallinen (b. 1935) is one of the most famous Finnish contemporary composers. In his early instrumental works, Sallinen was still seeking to establish a style of his own. He had studied at the Sibelius Academy in the late 1950s, first with Aarre Merikanto - a composer representing a national brand of Neoclassicism - and then with Joonas Kokkonen, at that time just transitioning from Neoclassicism to dodecaphony. Twelve-tone music had won fairly widespread acceptance in contemporary Finn-ish music, and Sallinen was influenced, too. The Variations are Sallinen's first real work for the cello - an instrument that would later be one of his favourites, its warm, deep voice corres-ponding to his music's often dark undercurrent.The Variations for Cello and Orchestra, Op. 5 were composed in 1961-1962 and premiered in October 1962. The basic motif consists of a set of three descending intervals stated by the cello at the beginning: D-D flat-F, C-B-G and B flat-A-F sharp. Their use as basic material is a ref-lection of the composer's dodecaphony-oriented period, and variation of this material provides the framework for the piece.Variations for Cello and Orchestra are now published for the first time. Available are a reduction for cello and piano, study score and complete performance material with orchestra.