Suite op. 16 組曲 長笛加鋼琴 齊默爾曼版

優雅內斂的空氣在甜美優美和抒情斯拉夫旋律的輕柔憂鬱之間轉換，與輕快歡快的小步舞曲、塔蘭特拉舞曲樂句、廣闊的發展，尤其是在副歌樂句中強有力的高潮並列。在組曲的第三樂章中，任性的長笛主題和鋼琴錯落有致的發音偶爾也能發現幽默的特徵。在第二樂章中，有條不紊的非節拍印象派鋼琴伴奏尤其將我們帶入一種溫柔的不確定狀態，這種狀態與田園詩般的旋律和自然主義的音樂意象交替出現。摘自作曲家理查-羅斯勒（Richard Rößler，1880-1962 年）之孫亞歷山大-羅斯勒教授的序言"

作曲家: Rossler, Richard
樂器: flute and piano
出版社: Musikverlag Zimmermann
原文簡介:
An elegantly restrained air, which shifts between sweet gracefulness and the gentle melancholy of a lyrical Slavic melody, is juxtaposed with the light-footed gaiety of motoring ostinato tarantella phrases and developments of expansive dimensions and – particularly in adagio phrases – powerful crescendos. A humorous trait can also be found occasionally, for example in the capricious flute themes and the staccato articulations of the piano in the third movement of the suite, in which – of note from a structural point of view – there is a blend of the sonata and rondo form. In the second movement, the systematically off-beat, impressionistic piano accompaniment in particular brings us to a tender state of uncertainty, which alternates with the idyll of a pastoral melody and naturalistic musical imagery. – From the preface by Prof. Alexander Rößler, grandson of the composer Richard Rößler (1880-1962).