Sonatas 3 Sonatas ( D ,A, g ) 李希特．弗朗茲 奏鳴曲 奏鳴曲 長笛加鋼琴 維也納原典版

弗朗茨-哈威爾-裡希特（Franz Xaver Richter，1709-1789 年）是曼海姆學派最重要的代表人物之一，曼海姆學派不僅影響了莫札特，還影響了年輕的貝多芬，甚至影響了一些早期浪漫主義作曲家。裡希特的室內樂在維也納古典主義主要流派的演變過程中具有舉足輕重的地位，從巴羅克三重奏奏鳴曲到古典絃樂四重奏的前身，裡希特的室內樂都為我們指明了方向。裡希特的長笛、大鍵琴伴奏和大提琴奏鳴曲是這條道路上的里程碑。這些作品繼承了巴赫大鍵琴奏鳴曲的傳統，可與巴赫之子卡爾-菲力浦-伊曼紐爾（Carl Philipp Emanuel）的優秀作品相媲美。在這本 Wiener Urtext 版本中，我們精選了三首奏鳴曲，它們也可以用小提琴代替長笛演奏。如有必要，也可以不用大提琴演奏。蘇珊娜-施拉格（Susanne Schrage）的詮釋建議包括大量關於適當演奏風格和裝飾音的建議，除了長笛演奏家之外，其他人可能也會感興趣"

作曲家: Richter, Franz Xaver
編者: Reutter, Jochen
樂器: flute (violin), obligatory harpsichord (piano); cello ad libitum
出版社: Wiener Urtext Edition

曲目:
Sonate D-Dur - Sonate A-Dur - Sonate g-Moll

原文簡介:
Franz Xaver Richter (1709-1789) is one of the most important representatives of what is known as the Mannheim School, a style that influenced not only Mozart, but also the young Beethoven and even some of the early Romantic composers. The significance of Richter’s chamber music in the evolution of the major genres of Viennese classicism deserves to be recognised, showing the way as it does from the Baroque trio sonata to the immediate forerunners of the classical string quartet. Richter’s sonatas for flute, harpsichord obbligato and cello are milestones on that road. These pieces were written in the tradition of J. S. Bach’s sonatas with harpsichord obbligato and can bear comparison with the best works of Bach’s son Carl Philipp Emanuel. In this Wiener Urtext edition we present a selection of three sonatas that can also be played with a violin in the place of the flute. The piece may also be performed without the cello if necessary. Susanne Schrage’s advice on interpretation includes plenty of suggestions for an appropriate style of performance and ornamentation, which may be of interest to others besides flautists.