Sonata for piano 奏鳴曲鋼琴 鋼琴獨奏 朔特版

這首奏鳴曲是埃爾金的作品之一，普通聽眾在初聽時可能無法將其歸屬於某個特定的地域。然而，他將被一種獨特的身份感、令人驚訝的和聲和節奏所吸引，這些都以如此真誠和真實的方式融入音樂的流程中。如果再仔細聆聽，就會發現埃爾金總是以非凡的靈感改造古代安納托利亞音樂的特點，將不熟悉這種文化的聽眾帶入音樂中，這種音樂往往具有深邃的精神內涵，其複調織體令人讚歎，沒有一個小節顯得多餘或格格不入。第一樂章快板由兩個對比鮮明的主題編織而成，第一個主題是中音區的有力進行，其中的協奏元素准為對位元。在第二樂章Adagio molto sostenuto中，深刻、內斂的第一主題在變奏中得到了發展，抒情性極強。最後的快板充滿活力和決心，由抽象的安納托利亞民間音樂元素組成，帶有埃爾金的創作印記。樂章在令人印象深刻的高潮中結束

作曲家: Erkin, Ulvi Cemal
樂器: piano
出版社: Schott Music

曲目:
Allegro - Adagio molto sostenuto - Allegro

原文簡介:
The Sonata is one of Erkin’s works which the casual listener may fail to attribute to a particular geography at a first hearing. He will however become absorbed by a unique sense of identity, surprising harmonies and rhythms which integrate with such sincerity and authenticity in the flowof the music. At a more attentive hearing, one can discover features of ancient Anatolian music which Erkin always transforms with extraordinary inspiration, enfolding audiences unfamiliar with this culture in a music which is often profoundly spiritual with an admirably woven polyphonic texture in which not one bar seems superfluous or out of place.The first movement Allegro is woven from two contrasting themes. The first is a vigorous progression in the middle register with contrapuntal elements quasi as counterpoint. A luminous second theme evoking folk tunes connects back to the first theme and the movement ends in a brisk tone.In the second movement Adagio molto sostenuto a profound, introspective first theme is developed in variations of exquisite lyricism. The imposing middle section which forms a rondo suggests latent unrest.Imbued with energy and determination, the final Allegro consists of abstracted elements of Anatolian folk music bearing the creative stamp of Erkin. The movement ends with an impressive crescendo.