Smart Dust for piano 鋼琴 鋼琴獨奏 朔特版

能塵埃 "設備是一種微型無線微機電感測器（MEMS），能夠感知從光到振動的一切。得益於矽處理技術的新發展，這些'微塵'雖然配備了感測器、電路、無線通訊和電源，但體積卻比沙粒還小。它們可以收集大量資料，進行計算，甚至可以在 300 米的距離內交換這些資訊。如今，人們正在開發商業應用的可能性，例如用於尋找製造缺陷或照顧病人，當然，這種 "智慧塵埃"，這種幾乎看不見的智慧塵埃，特別適合在戰爭中監視人和探測敵人的動向。也許有一天，我們擦掉眼睛上的一顆沙粒，就能擺脫一個潛在的觀察者。它們是微小的細胞，能夠相互通信，在它們之間建立網路，觀察環境，最重要的是，它們可以從打開的窗戶吹進房間而不被發現。音樂也是關於類似的微小細胞，關於鋼琴的奇怪聲音，"簡單電路"，即重新傳輸的基本資訊，來自日常城市環境的音樂主題，然後必須相互協調，並在聽者頭腦中的控制中心進行處理。無處不在的危險元素。在演奏這些小品的過程中，發動機的能量（來自電池的能量）會逐漸減少，資訊流也會減慢。鋼琴在演奏過程中失去了準備，各種元素變得更加可讀、可聽。就像一個 "智慧灰塵發射器 "落在了穆斯津的頭巾上，而下一個發射器則落在了百米之外的迪斯可舞廳裡。或者更妙的是：一個發射器在拉琴曼的樂譜上，下一個在阿爾沃-派特的鬍鬚上--湯瑪斯-拉歇爾"

作曲家: Larcher, Thomas
樂器: piano
出版社: Schott Music
原文簡介:
Smart Dust' devices are tiny wireless microelectromechanical sensors (MEMS) which are able to sense everything from light to vibrations. Thanks to new developments in silicon processing, these 'motes' are no larger than a sand grain even though they are provided with sensors, circuits, wireless communications and a power supply. They collect enormous amounts of data, perform calculations and are able to exchange such information even over distances of 300 metres. Today, one is developing commercial application possibilities, such as for the search for manufacturing defects or for the care of patients, but of course this 'Smart Dust', this barely visible intelligent dust, is particularly suited to spy on people and detect movements of the enemy in the case of war. Perhaps, one day, we will get rid of a potential observer when rubbing a sand grain from our eyes.They are tiny cells which are able to communicate with each other, build up a network among themselves, observe the environment and, above all, they can be blown through open windows into rooms without being noticed. The music too is about similar tiny cells, about strange sounds of a sound-reduced piano, 'simple circuits', i.e. basic information which are retransmitted, musical motifs from the everyday urban environment which then have to be aligned with each other and processed in a control centre, in the head of the listener. Omnipresent, dangerous elements. The motor energy (the power from the battery) decreases in the course of the little pieces, the flow of information slows down. The piano is deprepared during its course, the elements become more readable and audible. A broad stylistic expanse is traversed in a very brief space, as if a 'smart dust transmitter' lands on the turban of a muezzin and the next one a hundred metres farther in a discothèque. Or even better: one transmitter in a Lachenmann score, the next one in the beard of Arvo Pärt.- Thomas Larcher