Schumann in Endenich Chamber music No. 2 室內樂 雙鋼琴 朔特版
威廉-基爾邁耶（Wilhelm Killmayer）將一個音符作為這首作品的核心。羅伯特-舒曼（Robert Schumann）將其作為浪漫主義的起點，而威廉-基爾邁耶（Wilhelm Killmayer）卻不允許自己自由發展詩意的旋律。正如舒曼刻意決定在恩德尼希精神病院的限制下生活一樣，基爾邁耶偏愛非常有限的音調空間。鋼琴聲部中反復出現的幾秒鐘說明了這位患病作曲家生活中的困境。即使加入了電顫琴、邦戈鼓和康加鼓，最終也無法突破這些界限。唯一的選擇就是向內尋求解脫。當鋼琴與電弦琴之間的對話揭示出被重新定義的音色時，《恩德尼希的舒曼》就變成了一次進入神秘的人類同胞意識的旅程"
作曲家: Killmayer, Wilhelm
樂器: piano, elektrische organ (harmonium) and percussion (5 player)
出版社: Schott Music
原文簡介:
Wilhelm Killmayer puts a single note at the heart of this composition. Butwhereas Robert Schumann took it as the starting point of his romanticism,Killmayer doesnt allow himself the freedom to develop poetic melodies. Just as Schumann deliberately decided to live within the constraints of a mental asylum in Endenich, Killmayer favours the constraints of a very limited tonal space. Recurring seconds in the piano part illustrate the confines in the life of the ill composer. Even the addition of a vibraphone,bongo and conga cannot overcome these boundaries in the end. The only option left is to look inwards for an escape. And when refined tone colours are revealed in a dialogue between piano and glockenspiel, Schumann in Endenich turns into a journey into the consciousness of an enigmatic fellow human being.