Ricercari sopra li tuoni a quattro 帕勒斯特利納 鋼琴獨奏 朔特版

這些《Ricercari》屬於帕萊斯特裡納的作品，目前尚無原始印刷品或親筆簽名。哈伯爾將其收錄在《帕萊斯特裡納作品集》第 32 卷（第 80 頁）中，該書摘自貝尼遺物中的 G. Chiti 抄本。Ricercari 的順序遵循八種調式：Dorian、Hypodorian、Phrygian、Hypophrygian、Lydian、Hypolydian、Mixolydian、Hypomixolydian。該作品可由鍵盤樂器、絃樂器或管樂器演奏，速度為中速（安ante）。在十六世紀，人們習慣於添加減音（色度），尤其是在由多件樂器演奏的部分和一件樂器演奏的部分（書面旋律）

作曲家: Palestrina, Giovanni Pierluigi da
編者: Fellerer, Karl Gustav
樂器: keyboard instrument or various instruments
出版社: Schott Music
原文簡介:
These Ricercari belong to the works of Palestrina of which no original print or autograph is known. Haberl included them in the thirty second volume of the works of Palestrina (p. 80 pp.) taken from a copy of G. Chiti which was found in the legacy of Baini.The Ricercari are composed in a strict motet form. That is they carry single themes (3-5) in the manner indicated in the german preface.The order of the Ricercari follows the eight modes: dorian, hypodorian, phrygian, hypophrygian, lydian, hypolydian, mixolydian, hypomixolydian.The work can be performed on keyboard, or string or wind-instruments. The tempo corresponds with moderato time (Andante).In the XVIth century it was custom to add diminutions (coloratures) especially if the part was executed by several instruments and one instrument held on the res facta (written melody).