Remembering the Master 長笛加鋼琴

約翰-塞巴斯蒂安-巴赫（Johann Sebastian Bach）的合唱曲和獨奏組曲啟發了《追憶大師》。一般來說，動態和樂句由演奏者自行掌握，巴赫的手稿也是如此。沒有即興演奏經驗的演奏者可以使用寫好的長笛獨奏。其中包括一些樂曲風格的即興音樂慣用的樂句和發音標記。這首樂曲有三種可能的演奏方式。1. 2. 按照曲譜演奏，但在演奏曲譜中加入長笛獨奏和即興鋼琴獨奏。3. 如果鋼琴演奏者沒有即興演奏的經驗，可省略獨奏部分的重複。緊接第 70 小節後的第二段結尾，使用寫好的長笛獨奏，然後緊接第 192 小節後的第二段結尾，同樣使用寫好的長笛獨奏。高級

作曲家: Dobbins, Bill
樂器: flute and piano
出版社: advance music GmbH
原文簡介:
The chorales and solo suites of Johann Sebastian Bach inspired Remembering the Master. In general, the dynamics and phrasing are left to the performers, as was the case in Bach's manuscripts. Performers with no experience in improvisation may use the written flute solos. These include some phrasing and articulation marks that are idiomatic to improvised music in the style of the piece. There are three possible ways of performing the piece. 1. Play as written, with the improvised solos in the order in which they are indicated.2. Play as written, but with the written flute solos and improvised piano solos.3. If the pianist has no experience in improvisation, omit the repeats in the solo sections. Take the second ending immediately after measure 70, using the written flute solo, then take the next second ending immediately following measure 192, again using the written flute solo. Advanced