Quintet D minor op. 130 許伯爾 鋼琴五重奏小調

1845年的D小調鋼琴五重奏作品130路易士-斯波爾（1784-1859 年）於 1845 年創作了 D 小調鋼琴五重奏作品 130，這也是史上最早的鋼琴五重奏之一。在此之前，使用這種樂器演奏的鋼琴五重奏只有羅伯特-舒曼（Robert Schumann）於 1845 年創作的降 E 大調鋼琴五重奏作品 44。44 作 品。斯波爾的作品將古典室內樂的音樂會風格與浪漫主義的表現手法結合在一起，從而為從一個時代過渡到另一個時代架起了一座橋樑。我們希望重新演奏的這首作品有一個特點：與其他大多數鋼琴五重奏不同，它的作曲者並沒有理所當然地將鋼琴作為主要樂器。恰恰相反--斯波爾的創作受到了他作為小提琴演奏家出身的影響，絃樂四重奏部分生動、多彩、同時又透明的主導地位，以及鋼琴相當克制但鏗鏘有力的作用，為這部作品增添了特殊的吸引力"

作曲家: Spohr Ludwig
改編者: Michaels, Jost
樂器: 2 violins, viola, cello and piano
出版社: Musikverlag Robert Lienau
原文簡介:
With his piano quinet op. 130 in D minor dated 1845, Louis Spohr (1784-1859) created one of the first piano quintets ever. Up until then, the only piano quintet existing with this instrumentation was the one in E flat major op. 44 composed by Robert Schumann in 1842. Spohr's composition unites the concert style of classical chamber music with romantic expression and thus builds a bridge for the transition from one epoch to another. The work we want to make accessible again has one pecularity: unlike most other piano quintets, it was not composed by someone who took the principal role of the piano for granted. Quite the contrary - Spohr's composition is influenced by his origin as a violin player, and special attraction is gained by the vivid, multi-coloured and at the same time transparent dominance of the string quartet's parts and the rather restrained but sonorous role of the piano.