Preludes Vol. 3 前奏曲 鋼琴獨奏

六首鋼琴獨奏前奏曲使用了古典和爵士傳統的詞彙。前奏曲 XIII（降 G 調）以優美的右手旋律為中心，其上是一組不斷變化的豐富和聲，和聲的半音化程度越來越高。第一段即興演奏暗示了德彪西的色彩，而第二段即興演奏則要求採用更為傳統的和聲關係，這給了鋼琴家充分的機會去探索引人入勝的道路。前奏曲第十五首（B）是一首優美纏綿的華爾滋，無論是書面部分還是即興部分，都充滿了柔情和敏感。與多賓斯的許多作品一樣，在複雜而動人的音色上突出了歌唱性的旋律，這使得鋼琴家可以在鍵盤上獲得寬廣的音域。前奏曲 XVII（E）是一首構思精巧的左手獨奏曲。多賓斯再次運用其豐富的和聲技巧，為鋼琴家提供了廣闊的描繪空間。前奏曲 XVIII》（升 C 小調）是一首節奏感極強的現代爵士練習曲，需要強勁的動力、靈活的手指和快速的觸鍵。與前兩組前奏曲一樣，多賓斯為現代鋼琴家提供了一個名副其實的新世界，供他們探索並帶給現代聽眾。他向各類鋼琴家（非改編的古典鋼琴家和爵士鋼琴家，他們通常不演奏書面樂譜）提出挑戰，讓他們瞭解他人的交流方式。這樣，他就提供了一套引人入勝、獨一無二的鋼琴作品，以及每次演奏都會變得更加個性化的個人表達可能性

作曲家: Dobbins, Bill
樂器: piano
出版社: advance music GmbH

曲目:
Prelude XIII – Prelude IV – Prelude XV – Prelude XVI – Prelude XVII – Prelude XVIII

原文簡介:
Six preludes for solo piano using vocabulary from both the classical and the jazz traditions. Prelude XIII (G flat) focuses on a lovely right hand melody that sits on top a constantly shifting set of rich and increasingly chromatic harmonies. The first improvised section suggests Debussy colors, while the second improvisation calls for a more traditional harmonic relationship, giving the pianist ample opportunities to discover intriguing roads to travel. Prelude XV (B) is a hauntingly beautiful waltz that cries out for tenderness and sensitivity in both the written and improvised sections. As with so much of Dobbins writing, the prominence of singing melodies over complex yet appealing sonorities allows the pianist to access a wide tonal range at the keyboard. Prelude XVII (E) is a brilliantly conceived study for the left hand alone. Again dipping into his rich harmonic bag of tricks, Dobbins provides the pianist broad stokes with which to paint. Prelude XVIII (C sharp minor) is a rhythmic tour de force, a modern jazz etude that demands a strong drive, steel fingers, and a quick touch. As in the previous two sets of Preludes, Dobbins has given the modern pianist a veritable new world to explore and to bring to modern audiences. He is challenging each kind of pianist (the non-improvising classical and the jazz pianist who may not perform written scores as a rule) to introduce themselves to the others way of communication. And in doing so, he is providing a fascinating, pianistic, and unique set of pieces, and possibilities for personal expression that become ever more personal each performance.