Piano Works Vol. 1 Works from 1961 to 1979 席威斯特洛夫 鋼琴 鋼琴獨奏

本卷中的作品按時間順序排列，並在一定程度上以其風格特徵為基礎。五首小品》（1961 年）、《三重奏》（1962 年）和《挽歌》（1967 年）被西爾維斯特羅夫回想起來時稱之為 "抒情十二重奏"，這些作品都是在他熟悉 20 世紀音樂語言的短暫時期創作的。根據西爾維斯特羅夫的說法，隨後的奏鳴曲（1972 年第一至三部、1975 年、1979 年）是在 "風格認同 "的指導下創作的。鋼琴組曲《Kitschmusik》（1977 年）是他 "隱喻風格"（維-西爾維斯特羅夫）最令人印象深刻的作品之一。雖然這些作品來自不同的創作時期，但都展現了他獨特的思維和作曲方式。這一點在他記譜的方式上顯而易見，即使是時長、動態和節奏等領域最微小的細微差別。尤其值得注意的是他對踏板的使用：作曲家認為踏板可以作為一個獨立的泛音聲部發揮作用。本版對 20 世紀 60 年代創作的作品進行了修訂。西爾維斯特羅夫晚期作品中出現的演奏標記（如 "leggiero "和 "dolce"），以及一些速度、力度和踏板標記都已添加"。(塔蒂亞娜-弗魯姆基斯）

作曲家: Silvestrov, Valentin
樂器: piano
出版社: M.P. Belaieff Musikverlag

曲目:
Sonata No 1 (1972) - Sonata No 2 (1975) - Sonata No 3 (1979) (all three Sonatas revised by the composer in 1999) - Five Pieces (1961; rev. 1999) - Triade (1962; rev. 1999) - Elegy (1967; rev. 1999) - Kitschmusik (1977)

原文簡介:
The works in this volume are arranged in chronological order and to some extent on the basis of their stylistic character. Five Pieces (1961), Triad (1962) and Elegy (1967), which Silvestrov retrospectively calls “lyrical dodecaphony”, were composed in the short period in which he familiarized himself with the musical language of the 20th century. According to Silvestrov, the Sonatas (I-III 1972, 1975, 1979) which follow were written under the aegis of “stylistic identity”. The piano cycle Kitschmusik (1977) is one of the most impressive examples of his “metaphorical style” (V. Silvestrov). Although they come from various creative periods, the works all demonstrate his unique way of thinking and composing. This becomes apparent in the way he notates even the most minute nuances in the areas of duration, dynamics, and tempo. Particular attention must be paid to his use of the pedal: the composer is of the opinion that it plays a role as a separate overtone voice. In this edition the works composed in the 1960s have been revised. Performance marks which occur in Silvestrov’s later works (such as “leggiero” and “dolce”) have been added, as have a number of tempo, dynamic and pedal marks”. (Tatiana Frumkis)