Piano Concerto 提佩特 鋼琴協奏曲 雙鋼琴 朔特版

蒂佩特鋼琴協奏曲》創作於 1953 年至 1955 年之間，可視為 20 世紀中期對以往英雄式和打擊樂協奏曲類型的評論和反動。其最初的靈感來自于蒂皮特於1950年在一場音樂會上聽到吉塞金排練貝多芬第四鋼琴協奏曲的第一樂章。蒂皮特後來在談到自己的協奏曲的起源時寫道：在貝多芬樂章古典而詩意的演奏影響下，我發現自己被說服了，也許可以寫一首當代的協奏曲，在這首協奏曲中，鋼琴再次發揮了它的詩意功能。 除了蒂皮特自己承認的貝多芬的影響之外，對協奏曲音樂語言的主要影響，正如蒂皮特自己所承認的，是他剛剛完成的自己的歌劇《仲夏的婚禮》。正如作曲家本人對其協奏曲的評價："音樂豐富、線性、抒情，就像那部歌劇一樣"

作曲家: Tippett, Sir Michael
樂器: piano and orchestra
出版社: Schott Music
原文簡介:
Tippett’s Piano Concerto - written between 1953 and 1955 - may be seen as both a mid-20th-century commentary upon, and a reaction against, the former heroic and percussive concerto types. Its initial inspiration came when Tippett heard Gieseking rehearse the first movement of Beethoven’s Fourth Piano Concerto for a concert in 1950. Tippett later wrote of the genesis of his own concerto: ‘Under the influence of an exceptionally poetic yet classical performance of the Beethoven movement, I found myself persuaded that a contemporary concerto might be written, in which the piano is used once again for its poetic capabilities.’ Apart from the self-acknowledged Beethovenian influences, the main influence on the musical language of the concerto, as Tippett himself acknowledges, was his own opera The Midsummer Marriage, which he had just finished. As the composer himself comments on his concerto, ‘the music is rich, linear, lyrical, as in that opera.’