Passacailles 狄奧多拉奇斯 帕薩卡雅舞曲 雙鋼琴 朔特版

雙鋼琴帕薩卡illes》是作曲家在巴黎生活和學習期間（1954-60 年）創作的。在此期間，他的作曲技法以建立在基本旋律素材上的四和絃系統為主。帕薩卡illes》可視為這一時期狄奧朵拉基斯所偏愛的美學理論的典型範例，他將四和絃和仍然占主導地位的古典作曲技法融入了自己非常個人化的當代概念中。在這位重要的當代作曲家多樣而廣泛的作品中，兩架鋼琴產生的音景似乎在相互競爭，這無疑是最極端、最神秘的體驗之一

作曲家: Theodorakis, Mikis
樂器: 2 pianos (4 hands)
出版社: Schott Music

曲目:
Prélude - Divertimento - Passacailles I-VI

原文簡介:
The ‘Passacailles for two Pianos’ were written during the years (1954-60) when the composer lived and studied in Paris. During this period his compositional technique was dominated by a system of tetrachords built on the basic melodic material. The ‘Passacailles’ may be regarded as typical examples of the aesthetic doctrine favoured by Theodorakis during this period when he incorporated tetrachords and still dominant classical compositional techniques into his own very personal contemporary conception. The soundscape generated by the two pianos, seemingly in competition with each other, is certainly amongst the most extreme and most enigmatic experiences to be found in the diverse and wide-ranging œuvre of this important contemporary composer.