New Album leaves op. 49 20 Character pieces 柯希納狄奧多 小品 鋼琴獨奏 朔特版

基什內爾是一位追求真理的多變的追求者，作為作曲家，他成為了一位瞬息萬變的大師。他的重要性在於他的鋼琴音樂。他的作品約有一千首。舒曼是他尊敬和崇拜的朋友，起初，舒曼是基什內爾的偶像，基什內爾給自己的作品取名為 "Neue Davidsbündlertänze "和 "Neue Kinderscener"。隨後，其他極具個性的標題則更多地揭示了他個人風格的特點。Federzeichnungen"（鋼筆和水墨素描）和 "Im Zwielicht"（在陰暗中）描繪了兩個世界之間的生活，展現了基什內爾作品特有的脆弱魅力。兩卷《新相冊葉片》（Neue Albumblätter）見證了這個脆弱的世界。這些瞬息萬變的素描在低動態範圍內移動。調式、和絃變化和增強音變化將聽眾引入歧途；形式上的期望落空了。我們的版本基於奧格納於 1880 年出版的兩卷原版，並由肖特於 1911 年以新標題重新出版"

作曲家: Kirchner, Theodor
編者: Twelsiek, Monika
樂器: piano
出版社: Schott Music
原文簡介:
Kirchner, a volatile seeker after truth, became, as a composer, a master of transient visions. His importance lies in his piano music. His work com-prises about a thousand individual pieces. Schumann, his revered and adored friend, proved initially to be an overpowering idol, and Kirchner gave his works titles like ‘Neue Davidsbündlertänze’, ‘Neue Kinderscener’. Subsequently other highly idiosyncratic titles reveal more about the special characteristics of his own style. ‘Federzeichnungen’ (Pen and Ink Sketches) and ‘Im Zwielicht’ (In the Gloaming) point to a life between two worlds and show a fragility which gives Kirchner’s works their own particular charm. The two volumes of the ‘Neue Albumblätter’ (New Albumleaves) are witness to this fragile world. These transient sketches move in the lower dynamic range. Modulations, shifting chords and enharmonic changes lead the listener astray; formal expectations are disappointed. Our edition is based on the original two volumes published by Augener in 1880 and reissued by Schott in 1911 under a new title.