Monologe 秦摩曼貝恩德 獨白 雙鋼琴 朔特版

1964年1月，貝恩德-阿洛伊斯-齊默爾曼（Bernd Alois Zimmermann）中斷了歌劇《士兵》（Die Soldaten）的創作，重新編排了他的管弦樂作品《雙鋼琴對話》（Dialoge）。由此產生的《獨白》繼承了原作的素材，但又朝著不同的方向發展： 齊默爾曼以引文為基礎的拼貼技術擴展到整個音樂背景，因此不僅莫札特（C 大調鋼琴協奏曲 KV 467）有發言權，貝多芬、梅西安和巴赫也有發言權。獨白 "是為兩位元鋼琴家創作的作品；這兩位鋼琴家雖然同時演奏，但[]並不總是在同一'時間'演奏；[]他們沉浸在自己的'思想'中"（齊默爾曼）"

作曲家: Zimmermann, Bernd Alois
樂器: 2 pianos (4 hands)
出版社: Schott Music

曲目:
I Quasi irreale - II ? = 85 - III ? = 80 - IV ? = 120 - ?= 80 - V 1/16 = 85

原文簡介:
In January 1964 Bernd Alois Zimmermann interrupted the completion of hisopera Die Soldaten [The Soldiers] in order to rearrange his orchestral work Dialoge for two pianos. Monologe resulting therefrom takes up the original material but develops it towards a different direction: Zimmermann‘s collage technique based on quotations extends over the entire musical setting so that it is not only Mozart (Piano Concerto in C major KV 467) who has his say but Beethoven, Messiaen and Bach as well. 'Monologe – thisis a piece for two pianists; real monologues of these pianists who, thoughsimultaneously,[…] do not always play at the same 'time'; […] losing themselves in their 'own thoughts', as it were.' (Zimmermann)