Monogramme 14 mood pieces 小品 鋼琴獨奏 柏特-柏克版

來自科隆的作曲家約克-霍勒（York Höller）在 1995 年至 2003 年間創作了 14 首要求極高的鋼琴作品，這些作品不僅是音調圖畫，也是對他身邊人的創作反思。之所以說它們是'單字'，是因為約克-霍勒經常選擇獻身者的音調字母作為音調形式的基礎。例如，作曲家卡爾海因茨-施托克豪森、漢斯-維爾納-亨澤和皮埃爾-布列茲的思想通過內部聯繫成為形式上強有力的、有時是沉思的對話，而最後一個樂章'掃描'將所有這些思想結合在一起，成為真正的壓軸曲"

作曲家: Hoeller, York
樂器: piano
出版社: Bote & Bock

曲目:
Entrée - Initium, für Karlheinz Stockhausen - Widerhall, für Kristi Becker - Widmung, für Daniel Barenboim - Zwiegespräch, für Ursula - Artikulation , für György Ligeti - Frenesie - Gemäßigter Aufschwung - Verzweigung, für Pierre Boules - Tastengeläut - Elegia giocosa, für Hans Werner Henze - Lines and Shadows, für David Drew - Fluktuation, für Elena Bashkirova - Scanning

原文簡介:
Between 1995 and 2003 the composer York Höller from Cologne created 14 highly demanding piano pieces which are not only tone pictures, but also compositional reflections on persons personally close to him. They are 'monograms' because Höller often chooses the tone letters of the dedicatees as a basis of his tonal form. Thus, thoughts of the composers Karlheinz Stockhausen, Hans Werner Henze and Pierre Boulez for example become a formally powerful, sometimes pensive dialogue by means of internal connections, and the last movement 'Scanning' with its combination of all these thoughts becomes a real finale.