Monólogo 豎笛獨奏

"降B（或A）單簧管獨白 "中，音樂的戲劇性經歷了不同的情感層面，類似於戲劇表演中一個演員或角色在舞臺上的表現。在這首樂曲的不同時刻，冥想和其他更外向的精神狀態以 "descarga "或即興的形式顯現出來，以一種矛盾的方式將不同程度的抽象性和自發性結合在一起。作曲家所採用的技術手段和表現手法取決於這種對立關係。在所選擇的這些資源中，最突出的是在序列、不連貫的音程和跳躍中利用這種樂器的大部分音域，以及在音樂的執行中使用不同類型的色彩。除了節奏和力度的對比之外，模態轉折、頻繁的節拍調式和不規則的節奏值也是建立強大音樂表現力的重要因素。"獨自 "演奏，同時使用受拉丁爵士樂或古巴 "凱西翁 "等不同音樂流派影響的音樂語言，並成功地詮釋這首作品，對於已經熟悉這些音樂風格的器樂演奏家來說，將是一個令人愉快的挑戰。(安娜-維多利亞-卡薩諾瓦）

作曲家: Zalba, Javier
樂器: clarinet (in A or Bb)
出版社: advance music GmbH
原文簡介:
In “Monologue for Bb (or A) Clarinet”, the dramaturgy of the music passes through various emotional facets, similar to what happens during those theatrical performances where one single actor, or character, expresses himself on the stage. At different instants in the course of this piece of music, meditation and other more extrovert states of mind become apparent in the form of a “descarga”, or improvisation, conjoining – in a contradictory manner - varying degrees of abstraction and spontaneity.The technical tools and means of expression employed by the composer are contingent upon this antagonism. Among these resources chosen stand out the exploitation of a vast part of the register of this instrument throughout sequences, disjointed intervals and leaps, but also different types of colors applied to the execution of the music. Apart from agogic and dynamic contrasts, it is the predominance of modal turns, the frequent metric modulations and the irregular rhythmic values that are instrumental in building up a powerful musical expressiveness.Performing “all alone”, while using a musical language influenced by such dissimilar genres as latin jazz or the Cuban “canción”, and interpreting this composition successfully will represent a pleasing challenge to the instrumentalist who is already familiar with these styles of music. (Ana Victoria Casanova)