Lyric Suite 抒情組曲 總譜 環球版

在《抒情組曲》於 1927 年 1 月 8 日首演前不到一年，阿爾班-貝爾格突然從幾乎默默無聞的小人物一舉成名，首演了《沃采克》。為絃樂四重奏創作的《沃采克》幾乎不可能引起同等的關注，但它也很快取得了非凡的成功，而且，儘管它具有主觀性和悲劇性，但至今仍是該體裁中最傑出、最有效的演奏家表演曲目。伯格所有音樂的特殊性和獨特性都是顯而易見的：一方面是非同尋常的強烈感情和隱含或明確的程式元素，另一方面是音樂設計、音樂構思甚至主題形式上前所未有的抽象性和嚴謹性。人們並不期望將這些可能存在分歧的傾向放在一起：在伯格那裡，我們不僅發現了它們，而且他音樂語言中這些看似對立的方面，每一個都依賴於另一個

作曲家: Berg, Alban / Diverse
樂器: for string quartet
出版社: Universal Edition
原文簡介:
Hardly more than a year before the first performance of the Lyric Suite on 8 January 1927, Alban Berg had suddenly emerged from almost total obscurity to world-wide fame with the premiere of Wozzeck. A composition for string quartet is hardly likely to excite comparable attention, but it, too, quickly achieved an extraordinary success, and to this day remains, for all its subjective and tragic character, the most brilliant and effective virtuoso display piece in its genre. The special and unique character of all of Berg's music is immediately and strikingly evident- on the one hand an extraordinary intensity of feeling and implied or explicit programmatic elements- on the other, an unprecedented abstraction and rigor in the musical design, in the working out of musical ideas and even in the very shape of the themes. One doesn't expect to find these presumably divergent tendencies together: ln Berg not only do we so find them, but each of these seemingly opposed aspects of his musical language is dependent on the other.