Little secular vocal works and piano sonatas 霍夫曼恩斯特 鋼琴奏鳴曲 鋼琴獨奏 朔特版
E.T.A. Hoffmann 的音樂作品第一版於 20 世紀 20 年代開始出版，但由於經濟狀況不佳，加之這項事業超前於時代，因此未能成功。在這幾年間，E.T.A. 霍夫曼專家弗裡德里希-施納普（Friedrich Schnapp）重新發現了幾部以前不為人知或被認為已經失傳的作品；他的親密合作者格哈德-阿羅根（Gerhard Allroggen）在 "按時間順序排列的主題目錄 "中記錄了霍夫曼的音樂作品。本版本就是在這一準備性研究的基礎上，以 12 卷的批判性版本介紹了 E.T.A. 霍夫曼一半以上的音樂作品。省略的大部分作品是他的大量舞臺作品。但除了他的主要戲劇作品《Undine》--在此首次以原作形式出版--這部分還包括《Die lustigen Musikanten》（布倫塔諾音樂喜劇的特別成功的改編）、《Liebe und Eifersucht》和他的第一部作品《Die Maske》（1799 年），這是現存唯一一部霍夫曼親自改編劇本的大型戲劇作品。Zacharias Werner 的《Kreuz an der Ostsee》的附帶音樂非常有趣，因為該劇聲名遠播。Arlequin》是霍夫曼芭蕾舞音樂的代表作。霍夫曼其他體裁的作品，包括聖樂、管弦樂、鋼琴和室內樂、合唱曲、詠歎調和歌，均已完整出版。與舞臺作品相比，這些作品的篇幅要小得多，其總體重要性及其在實際音樂創作中的用途也日益得到認可。每卷樂譜都有一篇序言，介紹了每部作品的起源和描述，還有一篇評論性評注，列出了資料來源和必要的文字修改"
作曲家: Hoffmann, Ernst Theodor Amadeus
編者: Allroggen, Gerhard / Erhard, Alexander / Schnapp, Friedrich
樂器:
出版社: Schott Music
曲目:
Six Italian Duettinos for soprano, tenor and piano (1812) - Three Italian Canzonettas for soprano, 2 tenors, bass and piano (1812) - German Lieder and Choruses - Five Piano Sonatas (A major / F minor / F major / F minor / C# minor)
The first edition of the musical works of E.T.A. Hoffmann, begun in the 1920s, foundered as a result of adverse economical conditions and because it was an enterprise ahead of its time. In the intervening years the E.T.A. Hoffmann specialist Friedrich Schnapp has rediscovered several works previously unknown or believed lost; his close collaborator Gerhard Allroggen documented the musical œuvre of Hoffmann bibliographically in a ‚Chronological Thematical Catalogue‘ . The present edition is based on this preparatory research and presents more than half of E.T.A. Hoffmann‘s musical works in a critical edition of 12 volumes. Most of the works omitted consist of his numerous stage compositions. But apart from his main dramatic work ‚Undine‘- published here for the first time in its original form - this section also contains ‚Die lustigen Musikanten‘ (a particularly successful setting of Brentano‘s musical comedy), ‚Liebe und Eifersucht‘ and his first work ‚Die Maske‘ (1799), the only surviving large-scale dramatic work where Hoffmann himself adapted the libretto. The incidental music for Zacharias Werner’s ‚Kreuz an der Ostsee‘ is interesting because of the notoriety achieved by the play. ‚Arlequin‘ is representative of Hoffmann‘s ballet music. Hoffmann‘s work in other genres, including sacred music, orchestral works, piano and chamber music, choral pieces, arias and lieder, are all published complete. In contrast to the stage works, they are much smaller, and their general importance as well as their use for practical music making are increasingly recognized. Each music volume contains a preface with the genesis and description of each work as well as a Critical Commentary listing the sources and necessary textual emendations.