Hämmerklavier Part XII, Highway 61, after a blues by Fred MacDowell 艾格特摩利茲 藍調 鋼琴獨奏 朔特版

子斯拉夫 "是一個完整的樂章，作曲家在其中將聽眾送上了一段旅程，一段未知的旅程；這段旅程呈現為一種釋放的行為，將埃格特帶離了我們這個星球的傳統。"錘子斯拉夫 "這個標題並不是指音樂會鋼琴，也不是指貝多芬的 "錘子斯拉夫奏鳴曲"，而是指一種特定的演奏方式：鋼琴家不僅要觸摸琴鍵，還要成為更廣泛意義上的 "演奏者"。 第一至第十一首已收錄在兩卷中（ED 8622 和 ED 9137），並收錄在作曲家演奏的 WERGO 唱片中（WER 6611-2）"

作曲家: Eggert, Moritz
樂器: piano, french harp and kazoo (1 player)
出版社: Schott Music
原文簡介:
“Hammerklavier” is a full-length cycle in which the composer sends the listener on a journey, a journey into the unknown; this journey presents itself as an act of unleashing, taking Eggert on a departure from the traditions of our planet.The title does not refer to a concert piano, nor to Beethoven’s Hammerklavier Sonata, but to a specific manner of playing: the pianist does not only have to touch the keys, but to be a “performer” in the wider sense. Pieces I-XI have already appeared in two volumes (ED 8622 and ED 9137) and on a recording under WERGO (WER 6611-2) played by the composer.