Friction, Pressure, Impact for cello and piano 大提琴鋼琴 大提琴加鋼琴 朔特版

擦、壓力、衝擊 "由三個樂章組成，每個樂章都以不同的方式關注音樂的新陳代謝問題。 第一樂章 "摩擦 "的新陳代謝速度適中，以一定的速度在樂器之間處理音樂素材，但又以一種強制控制的速度進行演變。 而《壓力》的音樂論證速度要慢得多，相對來說也是最簡單的。 它在演奏過程中沉重而感性。 影響》以一種水銀瀉地般的速度變化和轉變；雖然這個樂章自始至終只有一個論點，但它的論點卻在不斷地改變形狀和角度：樂句長度、局部模式、音域和和聲倒置都在不斷變化，就像一場疾風驟雨撲向音樂的表面

作曲家: Lash, Hannah
樂器: cello and piano
出版社: Schott Music

曲目:
I Friction - II Pressure - III Impact

原文簡介:
Friction, Pressure, Impact comprises three movements, each of which focuses on the question of musical metabolism in a different way. The first movement, Friction, has a moderately fast metabolism, working through the musical material between the instruments with some speed yet with a kind of compulsively controlled rate of evolution. Pressure has a much slower pace of working through its musical argument, which is relatively minimal. It moves heavily and sensuously through its course. Impact changes and shifts with a mercurial speed; although this movement has one single argument throughout, it is an argument that is constantly changing shape and perspective: phrase-lengths, local patterns, registers, and harmonic inversions are constantly in flux, pelting the music's surface like a hale storm.- Hannah Lash