Five Easy Pieces op. 56 小品 長笛加鋼琴 齊默爾曼版

長笛演奏家們都知道約阿希姆-安德森（18471-909 年）是一位創作了 188 首大師級練習曲的作曲家，一個多世紀以來，這些練習曲給音樂家們帶來了挑戰和靈感。這些練習曲是他的遺產，但不應完全掩蓋他為長笛和鋼琴創作的 54 部作品，其中既有輝煌的傑作，也有迷人的沙龍小品。安德森出生于哥本哈根，在父親的指導下學習長笛。他成為當時最出色的長笛演奏家之一，年輕時曾在丹麥和俄羅斯交響樂團擔任要職。1881 年，他移居柏林，並于次年成為柏林愛樂樂團的創始成員。安徒生的大部分長笛作品都是在柏林取得巨大成功期間創作的。雖然他的長笛演奏生涯在 19 世紀 90 年代初因舌頭疾病而結束，但他仍繼續為自己的樂器創作動聽的樂曲。由於安徒生作品 56 的手稿下落不明，因此本出版物以齊默爾曼 1894 年出版的第一版為主要資料來源。這些樂曲並不難，正如樂曲名稱所示，但也不太容易，因為需要優美的抒情音調，甚至可以稱其為抒情樂曲，因為樂曲的標題（《秋天》、《花朵》、《陽臺下》、《小夜曲》、《昔日時光》）並不是程式化的，而是情感的表達"

作曲家: Andersen, Joachim
校訂者: Dzapo, Kyle
樂器: flute and piano
出版社: Musikverlag Zimmermann
原文簡介:
Flutists know Joachim Andersen (1847–1909) as the composer of 188 masterful etudes that have challenged and inspired musicians for over a century. These etudes are his legacy, but they should not completely overshadow his 54 works for flute and piano which include both brilliant showpieces and charming miniatures for the salon. Born in Copenhagen, Andersen learned to play the flute under his father's guidance. He became one of the finest flutists of his day and, as a young man, enjoyed prestigious positions in Danish and Russian orchestras. In 1881, he moved to Berlin, becoming a founding member of the Berlin Philharmonic Orchestra the following year. Andersen wrote most of his flute compositions during this enormously productive and successful period in Berlin. Though his career as a flutist ended in the early 1890s because of a debilitating tongue disease, he continued to compose lovely pieces for his instrument. Because the location of Andersen’s manuscript of Opus 56 is not known, the first edition of the pieces, published by Zimmermann in 1894, has been used as the primary source for this publication. The pieces are not difficult as already indicated in the name, but not too easy because a beautiful lyrical tone is needed, you could even call them lyrical pieces as the titles (In Autumn; The Flowers; Under the Balcony; Serenade; From former Times) are not programmatic but rather the expression of feelings.