Fantaisie brilliante sur l'Africaine (Original edition) 玻爾內 華麗的 長笛加鋼琴 齊默爾曼版

關於弗朗索瓦-博爾內，人們知之甚少，甚至連他的生卒年（1840 - 1920 年）也無從考證。他曾在圖盧茲擔任長笛教授，出版過一本關於長笛製作的理論著作（與長笛製作師 Djalma Julliot 合作），並創作了大量長笛作品。他對賈科莫-梅耶貝爾（Giacomo Meyerbeer）的歌劇《阿非利加娜》（L'Africaine）所作的幻想曲技藝高超，對專業長笛演奏家來說是一項挑戰。不過，在成功跨越技術懸崖之後，演奏者和觀眾都將在這首作品中獲得無窮樂趣。歌劇史上的奇聞： 在創作過程中，歌劇的情節從非洲轉移到了印度，但標題卻沒有改變，這主要是因為這部歌劇當時已被命名為《非洲人》（L'Africaine）。在我們的標題畫面中，我們使用了印度動機來指代歌劇的內容而非標題"

作曲家: Borne, Francois
校訂者: Wiese, Henrik
樂器: flute and piano
出版社: Musikverlag Zimmermann
原文簡介:
Little is known about François Borne, even his birth and death year (1840 - 1920) (?) are not verified. He was professor for flute in Toulouse, published a theoretical work about flute making (together with the flute maker Djalma Julliot) and he composed an handful of flute works. His fantasy about Giacomo Meyerbeer's opera L'Africaine is highly virtuoso and can be a challenge for professional flutists. Having successfully managed the technical cliffs, however, the player as well as the audience will have great fun with this piece. A curiosity in opera history: While still being written, the plot of the opera was transferred from Africa to India, but the title was not changed, mostly because the opera had already been announced as L'Africaine. In our title image we have used Indian motives to refer rather to the contents than to the title of the opera.