“Erlkönig”(After Schubert) and“The Last Rose of Summer”for Violin Solo 恩斯特 魔王 夏日最後玫瑰 小提琴

小提琴家海因裡希-威廉-恩斯特（Heinrich Wilhelm Ernst）是孟德爾松的朋友，他是那個時代最偉大的演奏家之一，與帕格尼尼、維耶克斯坦普斯和維尼亞夫斯基齊名。與他們一樣，他也留下了一系列展示小提琴潛力的作品。在他為數不多的至今仍在演奏的作品中，有兩部作品尤為突出，這兩部作品都是出色的小提琴獨奏曲，在技術上極具挑戰性：一部是 1854 年出版的舒伯特《厄爾克尼格》改編曲；另一部是 1864 年出版的《六首複調研究》中的最後一首，其主題來自當時極為流行的愛爾蘭民歌《夏日最後的玫瑰》。Henle 首次發行了這兩首小提琴獨奏曲的Urtext 版本，由小提琴家英戈爾夫-圖爾班監製"

作曲家: Ernst Heinrich Wilhelm
樂器: Violin
出版社: G. Henle Verlag
原文簡介:
Violinist Heinrich Wilhelm Ernst, a friend of Mendelssohn, was one of the great virtuosi of his age, standing alongside Paganini, Vieuxtemps and Wieniawski. Like them, he left behind a series of compositions that showcase the violin's potential. Two works stand out among the few of his pieces that are still performed today, both of them brilliant and technically-challenging works for solo violin: his arrangement of Schubert's “Erlkönig”, published in 1854; and the last of his Six Polyphonic Studies of 1864, whose theme is from the extremely popular Irish folksong of the time “The Last Rose of Summer”. Henle is issuing an Urtext edition of these two pearls of solo violin literature for the first time, overseen by violinist Ingolf Turban.