Erik Satie - Gnossiennes Piano 薩悌 格諾辛納斯 鋼琴 亨乐版

與《讚美詩》一樣，《夜鶯》也暗指古希臘傳統。也許是受到 1889 年巴黎世界博覽會的啟發，薩蒂使用了東方的裝飾手法。他憑藉對 "流行 "音樂趨勢的敏銳直覺，將異國元素與卡巴萊音樂的影響相結合，當然還有他自己的想法，創造出了非常新穎的作品。其中幾首 "Gnossiennes "讓人大吃一驚，因為在音樂的字裡行間夾雜著令人費解的文字片段。根據薩蒂的說法，這些文字並不是用來朗讀的，而是在作曲家和演奏者之間建立一種秘密的聯繫--這是一種創造性的挑戰，我們將在我們的Urtext版本中把這種挑戰傳遞給當今的音樂家

作曲家: Erik Satie
校訂者: Ulrich Krämer
樂器: Piano
出版社: Henle Urtext Edition
原文簡介:
Like the Gymnopédies, the Gnossiennes also allude to ancient Greek traditions. Perhaps inspired by the World Exhibition in Paris in 1889, Satie made use of oriental ornamentation. With his subtle intuition for musical tendencies that were “en vogue,” he combined exotic elements with influences from cabaret music and, of course, his own ideas to create something very new. Several of the “Gnossiennes” take one by surprise on account of puzzling fragments of text between the lines of music. According to Satie they were not supposed to be read aloud but to create a secret link between composer and player – a creative challenge, which we are passing on to present-day musicians in our Urtext edition.